January 23, 2020, 07:48 PM
https://www.motionpictures.org/2020/01/1917s-oscar...
“I think what’s really kind of interesting is all the movies this year are using visual effects for widely different reasons,” notes 1917’s Oscar and VES-nominated visual effects supervisor, Guillaume Rocheron. And in an Academy FX slate that ranges from Avengers: Endgame to The Irishman, he has a point.
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