May 6, 2016, 12:16 PM
http://www.provideocoalition.com/ae-editors-prolos...
Speed ramps used to be rare, and before that, nonexistent. Slow motion has long been a part of cinema—it mirrors the psychology of how we recollect powerful or traumatic moments—but the ability to swoop gracefully in and out of slow mo belongs to the era of Phantom cameras and now, camera phones that can record 250fps The post AE for Editors: Prolost Speedramp appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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