March 12, 2014, 07:55 AM
http://www.nytimes.com/interactive/2013/02/24/opin...
A billing block for a fictional film — “All the Presidents” — shows how the credits at the bottom of a movie poster are actually the product of detailed legal agreements and intense contract negotiations.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.