November 19, 2010, 11:39 AM
http://www.urbancinefile.com.au/home/view.asp?a=12...
Having completed the edit on Catch A Fire for Phil Noyce*, Jill Bilcock is ensconced in an edit suite at England’s Shepperton Studios when she picks up the phone to talk about working on The Libertine. A duck had just laid eggs outside the room, having nested in a gutter. Bilcock walks past sheep each morning at 8am to get to the edit room, a windowless, charmless space where the pride of place is occupied by her Lightworks editing gear. "I’m one of the last editors left to use this gear,".....
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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