December 6, 2010, 11:13 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
Editor Andrew Weisblum, A.C.E., came to Black Swan with Aronofsky’s The Wrestler already on his credit list; he first met the director when he was a visual effects editor on The Fountain. In prepping for Black Swan, Weisblum and Aronofsky talked a lot about the film’s genres and its editorial style. They also watched numerous horror, psychological thriller and dance movies, mainly referencing the moments of horror or terror. "It was about how those moments were executed and which ones were a...
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