It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 29, 2021, 09:25 AM
https://www.screeneditors.com.au/stop-go-start-qld...
The Australian Screen Editors and the Australian Screen Sound Guilds present: A discussion on Post-Production Sound and how to avoid the pitfalls. This session will explore how best to assist your Post Sound team - what Editors / Assistant Editors need to: • STOP doing • GO keep doing • START doing Follow Sam the […]
June 29, 2021, 09:25 AM
https://www.screeneditors.com.au/ase-rates-and-con...
This is an introduction to the ASE's Rates & Conditions Document, containing some basic information and guidelines. To see the full document, ASE members can go to Rates & Conditions - Full. You will need to log in to access the full document. ASE Rates and Conditions - Public Document - 2020 This ASE Fringes […]
June 28, 2021, 09:01 AM
https://creativevideotips.com/tutorials/10-mind-bl...
Here are my top tips you haven't heard of to edit video faster in DaVinci Resolve 17. This is an advanced tutorial from a pro to help get you cutting video easier and faster than you ever have before! I dare you to tell me that you didn't learn at least one new thing in this tutorial ;) Faster selects editing using swap timeline and source viewer instead of source tape or pancake editing, shuffle and swap edits, replace edits for sound design, fit to fill for cutting to the beat of a music track...
June 24, 2021, 08:53 AM
https://postperspective.com/thoughts-on-adobe-prem...
By Brady Betzel With its June update for Premiere Pro, Adobe has begun to lay the groundwork for a complete interface overhaul, starting with a new way to import media into a new project and ending with an updated and streamlined export workflow. These updates will initially appear only in the Premiere Pro beta (available for download through the Creative Cloud desktop app), Continue reading → June 22, 2021 The post Thoughts on Adobe Premiere’s Interface Update appeared first on postPerspect...
June 23, 2021, 09:02 AM
http://www.lightingandsoundamerica.com/news/story....
A trained pianist and saxophonist who studied music production at Berklee College of Music in Boston, Phil McGowan, CAS, knows a thing or two about the perfect piece of music. After having dabbled in writing and composing music, McGowan soon found that his true passion was in mixing and engineering, and he moved across the country to focus on score mixing. Today, McGowan can be found mixing, recording, and engineering from his studio -- McGowan Soundworks, where he works on highly popular TV sho...
June 23, 2021, 09:02 AM
https://www.awn.com/vfxworld/molecule-vfx-helps-am...
Led by VFX supervisor Luke DiTomasso, the studio delivers over 200 shots for director Mike Cahill’s sci-fi thriller about two overlapping worlds, one real, one not, one ugly, one beautiful, and the conspiracy to keep people from finding out the truth.
June 23, 2021, 09:02 AM
https://beforesandafters.com/2021/06/23/the-virtua...
How Unity’s virtual camera offering was used by the filmmakers, with exclusive video.
June 23, 2021, 09:02 AM
https://www.artofvfx.com/tom-clancys-without-remor...
IN 2016, Sven Martin told us about the work of Pixomondo on Game of Thrones. He then worked on many shows such as Carnival Row, Midway and The Mandalorian.
June 22, 2021, 08:44 AM
https://beforesandafters.com/2021/06/22/i-kinda-lo...
Tape contains original animatics for the 'Jedi' Rancor sequence.
June 22, 2021, 08:43 AM
https://www.asoundeffect.com/the-underground-railr...
Go behind the sound of Amazon Studios' limited series The Underground Railroad with award-winning supervising sound editor/re-recording mixer Onnalee Blank, recordist Watson Wu, and foley artist Heikki Kossi.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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