It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 15, 2021, 08:18 AM
https://www.provideocoalition.com/art-of-the-cut-p...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.
#justice league#zack snyderApril 14, 2021, 08:59 AM
https://www.shots.net/news/view/nomad-editing-comp...
A celebrated editor who has earned several Emmy nominations, O’Neill’s work encompasses a wide array of projects ranging from commercials to feature and documentary films and beyond.
#editor#nomad#conor o'neillApril 14, 2021, 08:57 AM
https://www.awn.com/news/mastersfx-celebrates-5-ye...
Five years ago, MastersFX (MFX) opened an additional studio just outside Toronto in Etobicoke. Since launching on April 1, 2016, the MFX/Toronto studio has been worked on a number of top projects, such as The Handmaid’s Tale; Coroner; The Umbrella Academy; The Expanse; and, most recently, the hit Seth Rogen/Evan Goldberg Netflix series, The Boys.
#fx#seth rogen#netflix#practical effects#the boys#live effects#masters fx#the handmaid's tale#coroner#the umbrella academy#the expanse#evan goldbergApril 12, 2021, 08:23 AM
https://www.provideocoalition.com/art-of-the-cut-w...
Today, we’re talking with the ACE EDDIE-nominated editing team of The Dissident. The documentary uncovers the shocking facts of the murder of Washington Post journalist Jamal Khashoggi by the orders of the Saudi Crown Prince.
#editing#the dissidentApril 10, 2021, 09:13 AM
https://www.artofvfx.com/debris-richard-greenwood-...
Richard Greenwood has been working in visual effects for over 11 years. He joined FuseFX in 2014 to help launch the Vancouver office. He has worked on a wide range of projects including The Mist, Charmed, The Terror and The Magicians.
#fuse fx#the mist#charmed#the terror and the magiciansApril 10, 2021, 09:11 AM
https://www.indiewire.com/2021/04/sound-of-metal-s...
At the heart of every filmmaking decision is one question: Where is the audience in relationship to what is happening on screen? One of the most common approaches to answering this question is through subjectivity; by putting the viewer into a character’s point of view (often, quite literally), a filmmaker can shape how we emotionally absorb and viscerally react to the story unfolding on screen.
#design#academy#oscars#sound#sound of metalApril 9, 2021, 08:48 AM
https://www.nwitimes.com/entertainment/movies/osca...
The American Cinema Editors won't hand out their awards for another week. Then we might get a great clue for the Oscar winner. But right now, there are two easily deserving winners: "The Trial of the Chicago 7," which has to go back and forth from present to flashbacks and do it seamlessly enough to not lose us, and "Sound of Metal," which is a little more linear, but has other challenges in the way of incorporating the sound design into things. "Nomadland" could be a threat, just because it's l...
#editing#academy#oscars#academy awardsApril 9, 2021, 08:47 AM
https://www.awn.com/vfxworld/mr-x-provides-bewitch...
MR. X VFX supervisor Ralph Maiers and his team recently wrapped up a 10-month stint on Marvel Studios’ and Disney+’s hit series, Wandavision. He shared some of the details of their work on scenes from Episodes 108 and 109, some of the most critically revealing and long-awaited of the show, when friendly good neighbor Agnes/Agatha (played by Catherine Hahn) reveals her true identity and dark past.
#wandavision#mr xApril 7, 2021, 08:21 AM
https://www.goldderby.com/article/2021/visual-effe...
The Visual Effects Society Awards were handed out during a virtual ceremony on Tuesday, April 6. “The Midnight Sky” won the VES equivalent of the Best Picture race – Best Visual Effects in a Photoreal Feature. It bested Oscar frontrunner “Tenet” in that category, as well as “Jingle Jangle: A Christmas Journey,” “Project Power” and “The Witches.” George Clooney‘s sci-fi drama won an additional prize for Best Model in a Photoreal of Animated Project. Scroll down for a compl...
#visual effects#george clooneyApril 4, 2021, 09:43 AM
https://www.goldderby.com/article/2021/sound-of-me...
Google News: sound design
#editing#film#edit#soundDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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