It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 28, 2021, 12:44 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
For many years at Red Giant, we provided world class training, resources, and creative support to mainly to our enterprise customers. When we merged with Maxon last year, I was fortunate to have the great trainers on Maxon’s staff join my team. Last year, with this new expanded team, we not only added Cinema 4D and Redshift to our programs, but also decided to bring all the great tips and techniques we had been providing to broadcasters, production facilities and design houses to the whole...
January 22, 2021, 01:29 PM
https://www.4kshooters.net/2021/01/22/how-does-pro...
Not too long ago getting raw video was a daunting and expensive proposition. Now there are competing raw formats that work on your average laptop. We’ve come a long way.
January 20, 2021, 01:33 PM
http://www.avidblogs.com/4-ways-to-use-hybrid-clou...
The post 4 Ways to Use Hybrid Cloud Storage for Post Production appeared first on Avid Blogs.
January 20, 2021, 01:33 PM
http://www.avidblogs.com/whats-the-best-computer-f...
The post What’s the Best Computer for Video Editing? appeared first on Avid Blogs.
January 20, 2021, 01:32 PM
https://nofilmschool.com/adobe-premiere-pro-148-up...
Premiere Pro is now in version 14.8, thanks to the latest update from Adobe. The latest iteration includes support to display and use any non-standard frame rate timecodes, updated color space and gamma changes for RED .R3D files, and other fixes that plagued the program.
January 14, 2021, 06:07 PM
https://www.provideocoalition.com/asus-shows-profe...
Featuring an IPS panel with 100% sRGB colour gamut, the Asus ProArt Display PA329CV brings 4K and accurate colors to the big screen. The portable PA148CTV features Asus Dial and Virtual Control Panel.
January 14, 2021, 06:07 PM
https://nofilmschool.com/western-digital-has-4-new...
Western Digital acquired SanDisk in 2016, and since then has expanded the popular brand among creators beyond the familiar memory cards and USB flash drives to include portable SSDs.
January 13, 2021, 05:32 PM
https://nofilmschool.com/everything-you-need-know-...
Both Mike Matzdorff and I are professional career editors who work on multiple edit systems. We’ve realized that most NLEs are variations on a theme—source clips, tracks, insert, and overwrite. Final Cut Pro X stands alone with a truly unique approach to editing including its ability to cut with no tracks and a magnetic timeline. This results in a vastly different and more efficient editing workflow with significant advantages, if you learn the ropes.
January 13, 2021, 01:48 PM
https://www.cined.com/proxies-in-final-cut-pro/
Proxies are smaller, low-resolution versions that serve as a substitute for the original camera media when your computer is not powerful enough to smoothly handle high-resolution material or demanding codecs. Since the Final Cut Pro 10.4.9 update, a few things have changed regarding proxies. I’ll show you a few new ways to work with proxies in Final Cut Pro in this Quick Tip video.
January 12, 2021, 02:06 PM
https://www.provideocoalition.com/review-davinci-r...
This is Part 2 of my DaVinci Resolve Speed Editor review. In Part 1, I covered the hardware, trimming, a lot of the Cut page and basic editing with the Speed Editor. This second part is all about multicam and multicamera editing with the Speed Editor and the Cut Page.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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