It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 4, 2021, 09:42 AM
https://www.thewrap.com/what-does-a-torpedo-sound-...
Google News: sound design
#audio#soundApril 4, 2021, 09:41 AM
https://www.awardsdaily.com/2021/04/02/emmy-nomina...
Google News: sound design
#filmMarch 30, 2021, 09:00 AM
http://andreasdeja.blogspot.com/2021/03/rotoscopin...
Here is an early example of live action use for animation at Disney. All human characters in Snow White and the Seven Dwarfs relied on rotoscoping, except for the dwarfs. The more realistic a character concept, the more live action footage was used to help the animators get a nuanced performance on to the screen.
#rotoscoping#disney#rotoscope#live-action#snow white#seven dwarfsMarch 30, 2021, 08:59 AM
https://www.artofvfx.com/cosmoball-games-vfx-break...
Russian studio Main Road Post has released this VFX Breakdown about the Games sequences from the blockbuster sci-fi movie, Cosmoball...
#vfx#breakdown#games#cosmoballMarch 29, 2021, 08:47 AM
https://beforesandafters.com/2021/03/29/this-might...
It might not be the most technically complicated shot in WandaVision, but when this fun morph showing a young Billy and Tommy ‘growing’ into older versions of themselves, I have to say I let out a little shrill.
#vfx#wandavisionMarch 28, 2021, 12:36 PM
https://www.digitaltrends.com/movies/wandavision-v...
There was a lot of pressure on Marvel’s WandaVision when it premiered in January following a year without any movies or series set in the Marvel Cinematic Universe. The show delivered on those high expectations, though, with one of Marvel’s most unique projects to date.
#vfx#marvel#wandavisionMarch 27, 2021, 10:06 AM
https://www.provideocoalition.com/agence-cinematic...
Would you play god to intelligent life? That’s the key question that Agence presents. This dynamic short-film merges cinematic storytelling, artificial intelligence, user interactivity and is never the same twice.
#artificial intelligenceMarch 27, 2021, 10:03 AM
https://www.goldderby.com/article/2021/sound-of-me...
You wouldn’t necessarily think that sound would go hand-in-hand with film editing, but at the Oscars, those awards have often gone to the same film. In fact, the last seven film editing winners in a row have won one or both sound awards (this year the two sound categories were consolidated). And only seven film editing winners in the last 20 years have failed to win a sound prize. Could “Sound of Metal” continue this trend?
#editing#oscars#sound#sound of metalMarch 27, 2021, 10:02 AM
https://www.artofvfx.com/wandavision-ralph-maiers-...
Ralph Maiers has been working in visual effects for over 25 years. He has worked on many shows including Night at the Museum: Secret of the Tomb, Crouching Tiger, Hidden Dragon: Sword of Destiny, Altered Carbon and Lost in Space.
#wandavision#vfx supervisor#mr x#ralph maiersMarch 26, 2021, 08:40 AM
https://www.artofvfx.com/snowpiercer-season-2-dami...
Damien Thaller has over 20 years of experience in visual effects. He has worked in many studios like ILM, Rising Sun Pictures, Image Engine before joining FuseFX in 2020. He has worked on projects such as Logan, Lost in Space, Fantastic Beasts: The Crimes of Grindelwald and Game of Thrones.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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