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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VR Post Production Challenges

June 14, 2015, 04:30 PM

http://wp.me/p45CkU-1f9

Now that narrative content is being considered, VR post production eventually will become something more for editors to become familiar with.

#editing#filmmaking#entertainment#cinematography#media trends#vr#virtual reality#e3
The FCP X – RED – Resolve Dance II « digitalf

June 14, 2015, 03:28 AM

https://digitalfilms.wordpress.com/2015/06/13/the-...

Last October I wrote about the roundtrip workflow surrounding Final Cut Pro X and Resolve, particularly as it relates to working with RED camera files. This month I’ve been color grading a small, indie feature film shot with RED One cameras at 4K resolution. The timeline is 1080p. During the course of grading the film…

A Documentary Editing Masterclass

June 11, 2015, 10:31 AM

http://jonnyelwyn.co.uk/film-and-video-editing/a-d...

Learn what it takes to craft a documentary from start to finish with this great interview with Steve Audette - 22 year veteran FrontLine editor

#editing#documentary#craft
Homeland's Editor on Creating High-Stakes Episode

June 9, 2015, 09:27 AM

http://variety.com/2015/artisans/news/homeland-13-...

He was tasked with editing “13 Hours in Islamabad.” The 10th episode in the fourth season of Showtime’s Emmy-winning “Homeland,” it’s perhaps better known as “the one where stuff went down.”

Over the Editor’s Shoulder: Part IV

June 4, 2015, 12:26 PM

http://www.editvideofaster.com/otes-part4/

This is Part IV and the final chapter in a series called Over the Editor’s Shoulder where I document my daily progress on a freelance editing project I’m working on. I chronicle what I do in the edit bay, what I learn, my struggles, failures, successes and more.

Editors Use Restraint When Cutting Emmy-Contending

June 4, 2015, 04:53 AM

http://variety.com/2015/tv/news/creative-arts-emmy...

Editor cut TV shows with restraint and subtlety as they vie for Creative Arts Emmys

The Future of the TV Pixel

June 4, 2015, 04:51 AM

http://www.definitionmagazine.com/journal/2015/6/4...

Dolby has been working for six years to revolutionise broadcast television. Unsurprisingly they call it their Dolby Vision. The idea was to simulate the dynamic range of modern cameras and try and present as near to that as possible to the television viewer. With new Dolby Vision encoded UHDTV sets arriving this year they are already ahead of their competitors.

The Worst Post Advice I've Gotten

May 28, 2015, 04:55 AM

https://screenlight.tv/blog/2015/05/26/worst-advic...

I’ve only been in this game a few years – nearing six to be exact. I’ve only worked for a few video companies and have personal relationships with a number of editors. However I’ve been around long enough to be a firsthand witness to a disturbing issue that is hurting our industry.

Award-winning Sherlock editor Yan Miles unlocks th

May 28, 2015, 04:55 AM

http://www.avid.com/US/about-avid/customer-stories...

The multi-award winning series Sherlock, starring the captivating Benedict Cumberbatch as the world famous inspector Holmes, and Martin Freeman as his loyal friend Doctor John Watson, is a thrilling, funny, fast-paced contemporary adaptation of Arthur Conan Doyle’s classic crime stories set in 21st Century London.

Resolve 12 Might Just Become Your New Favorite NLE

May 27, 2015, 04:39 PM

http://nofilmschool.com/2015/05/davinci-resolve-mi...

For two years, DaVinci Resolve has been slowly and surely transforming from a dedicated color correction tool into an all-in-one solution for editors and colorists alike. In version 12, it achieved full NLE status.

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