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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VISION VS THE VISION: A VFX HOW-TO

March 26, 2021, 08:37 AM

https://beforesandafters.com/2021/03/26/vision-vs-...

This week at befores & afters we’ve previously looked at some of the different VFX studios involved in Vision visual effects for WandaVision.

#vfx#wandavision
Oscar Best Picture nominee “The Father”

March 26, 2021, 08:37 AM

https://www.provideocoalition.com/aotc-the-father/

Yorgos Lamprinos is an editor of Greek origin living and working in Paris. Yorgos edited the Oscar Best Picture nominee, The Father and was nominated for Best Editing for the film. He has already won The British Independent Film Award for Best Editing for The Father. It was also nominated for Best Film and Best Editing for this year’s BAFTAs.

#bafta#oscars#the father
WATCH: ‘A Discovery of Witches’ VFX Breakdown

March 26, 2021, 08:34 AM

https://www.awn.com/news/watch-discovery-witches-v...

Double, double toil and trouble! The second season of Sky One’s A Discovery of Witches premiered in January, but the on-screen magic isn’t only for the coven! Axis Studios recreated an entire historically accurate Elizabethan London in CG for the season, delivering 100 shots for 10 episodes over a span of 18 months, which included working throughout the challenging COVID-19 pandemic.

#vfx#witches
The Father Editor Yorgos Lamprinos

March 25, 2021, 08:53 AM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.

#editing#father
Oscar-nominated 'Sound of Metal' has a Mexican imprint

March 25, 2021, 08:52 AM

https://www.nbcnews.com/news/latino/oscar-nominate...

Praised for its immersive approach to mapping out a drummer’s confrontation with hearing loss, writer-director Darius Marder’s “Sound of Metal,” now contending for six Academy Awards, features a singularly story-driven use of sound.

#academy#oscars#sound#sound design#sound of metal#darius marder
DOWN TO THE FINE DETAILS: THE HAIR REPLACEMENT VFX ON PIETRO

March 24, 2021, 08:49 AM

https://beforesandafters.com/2021/03/23/down-to-th...

In episode 5 of WandaVision, a new guest arrives on Wanda and Vision’s doorstep.

#vfx#hair replacement
WandaVision: Tara DeMarco – Overall VFX Supervisor – Marvel Studios

March 24, 2021, 08:46 AM

https://www.artofvfx.com/wandavision-tara-demarco-...

Tara DeMarco has over 20 years experience in visual effects as a Flame artist. She worked for over 12 years at The Mill before joining Marvel Studios in 2019. Today she talks to us about her work on WandaVision.

#flame#vfx#mill#marvel#comics
Oscar-Nominated ‘Sound of Metal’ Bears Imprint of Mexican Post-Production Artists

March 24, 2021, 08:46 AM

https://variety.com/2021/artisans/awards/sound-of-...

Praised for its immersive approach to mapping out a drummer’s confrontation with hearing loss, writer-director Darius Marder’s “Sound of Metal,” now contending for six Academy Awards, features a singularly story-driven use of sound.

#awards#story#academy#oscars#sound#sound design#sound of metal#mexico
The Sound of Violence

March 21, 2021, 11:33 AM

https://filmthreat.com/reviews/sound-of-violence/

SXSW FILM FESTIVAL 2021 REVIEW! When she was 10-years-old, Alexis regained her hearing after witnessing the murder of her family. Now, in college, Alexis (Jasmin Savoy Brown) uses music and sound to highlight how people can potentially communicate. But, upon learning that her hearing is degrading once again, Alexis does the unthinkable… she begins killing people nobody will miss (the homeless, etc.) and recording it.

#sound of violence
How visual effects gave Zack Snyder’s Justice League villains a do-over

March 21, 2021, 11:32 AM

https://www.digitaltrends.com/movies/zack-snyders-...

Filmmaker Zack Snyder’s four-hour feature completely reimagines the underwhelming 2017 superhero team-up film that brought various DC Comics heroes together to battle Steppenwolf, a deadly alien invader who intends to subjugate Earth for the cosmic conqueror Darkseid. In order to deliver the “Snyder Cut” of Justice League, the filmmaker made extensive use of both reshoots and visual effects to overhaul the tone and story of the original movie.

#vfx#snyder cut#justice league
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