It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 7, 2013, 08:14 PM
http://news.creativecow.net/story/873527
With 1500 VFX plates, 900 final VFX shots and 350,000 R3D source VFX frames spread across more than a year's work and a hundred different people, Light Iron colorist and co-founder Ian Vertovec and CEO Michael Cioni needed to create an efficient data management and color pipeline for Ender's Game. In this case study, Light Iron takes you step by step through the collaboration and innovation that fueled this demanding project.
November 7, 2013, 12:15 PM
http://jonnyelwyn.co.uk/avid/more-tutorials-for-co...
In this round up you can learn how to use your iPad as a separate screen for your Resolve scopes, create great looks in your NLE and get a deeper understanding of ACES.
#colour grading#resolve 10#tutorials for colorists#aces#ipad screenOctober 4, 2013, 04:15 AM
http://jonnyelwyn.co.uk/avid/tutorials-for-davinci...
A quick round up of some of the best free workflow, look creation and how-to tutorials available online, all for DaVinci Resolve.
#davinci resolve#colour grading#colorists#davinci resolve tutorialsSeptember 17, 2013, 08:50 AM
http://jonnyelwyn.co.uk/tutorials-for-film-post-pr...
For an overview of the great new features in DaVinci Resolve 10 beta, and some opinions on this major update to the freely available colour grading software check out this post
#color grading#tutorials#davinci resolve 10 beta#alexis van hurkman#free softwareSeptember 9, 2013, 04:40 AM
http://www.creativeimpatience.com/the-day-i-dreamt...
My current daily job requires producing about 50-60 minutes of content per month of something that roughly falls into mostly unscripted reality show. Within 30 days we have to prepare the final edit...
September 6, 2013, 10:35 AM
http://filmmakermagazine.com/76027-color-grading-t...
Director Jordan Vogt-Roberts’ coming of age comedy The Kings of Summer premiered successfully at Sundance this year, but it took a hectic few weeks of work to grade and produce the final deliverables in time to make the Sundance submission deadline.
August 16, 2013, 08:13 AM
http://www.studiodaily.com/2013/08/colorist-scott-...
Scott Klein, a senior colorist at Technicolor Hollywood, has helped create the looks of some of television's most iconic shows including Miami Vice, Dark Angel, The Sopranos, Deadwood and Entourage. Since the pilot in 2007 he has also graded every ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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