It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 15, 2020, 04:56 PM
https://collider.com/da-5-bloods-terence-blanchard...
Composer and musician Terence Blanchard is synonymous with the work of Spike Lee. Starting with 1991’s Jungle Fever, Blanchard has composed the score for almost every single Spike Lee joint, and the musician’s work is as striking and diverse as Lee’s films. Blanchard received his first-ever Oscar nomination for his work on Lee’s 2018 film BlacKkKlansman (which also scored Lee’s first-ever competitive Oscar win for Best Adapted Screenplay), and one would think in following up that incre...
June 12, 2020, 02:33 PM
https://www.asoundeffect.com/cosmos-possible-world...
'Cosmos: Possible Worlds' sound supervisor Greg King and sound designer Jonathan Greasely share their organic approach to sound for space, time, and everything in between, in this huge new interview:
#sound design#cosmos possible worldsJune 5, 2020, 05:06 PM
https://www.pro-tools-expert.com/home-page/2020/6/...
Sounds In Sync have released EdiCue v3.2, which now enables an integrated workflow with Todd-AO’s Actors Mobile ADR iOS app. In this article, we look at what EdiCue and Todd-AO’s Actors Mobile ADR do, how the collaboration between Sounds In Sync and Todd-AO came about and show in detail how the new workflow will help during the current lockdown.
May 27, 2020, 12:39 PM
https://filmschoolrejects.com/hayao-miyazaki-video...
When it comes to bringing animation to life, the way a film “looks” is only part of the equation. There is no better example of this principle than the work of animator and Studio Ghibli co-founder Hayao Miyazaki. His films just feel different, and you can sense this when you’re watching one of them: there’s a depth, a contagious empathy, a persistent sense of adventure. That unmistakable “Miyazaki feel” has a liveliness to it, a vibrancy that brings together all the disparate elemen...
May 21, 2020, 04:04 PM
https://filmschoolrejects.com/john-williams-empire...
In 1977, Star Wars succeeded against the odds. Three years later, its first sequel dealt with larger stakes and fiercer battles, the production essentially mirroring the scope of the film’s plot. However, this mighty struggle resulted in a larger canvas and a deeper appreciation of what drove the narrative of a galaxy far, far away. And musically, it was off the charts.
May 21, 2020, 01:04 PM
https://deadline.com/2020/05/bafta-to-unveil-tv-aw...
BAFTA is set to announce the nominations for its Television Awards and Television Craft Awards on June 4 — but it has not set a date for the ceremonies as the coronavirus crisis rages on.
May 21, 2020, 01:03 PM
https://www.provideocoalition.com/nab-at-home-2020...
Audio editing can sometimes feel like a forgotten aspect of filmmaking and production. Yet, as a twenty-year veteran camera operator, I learned the visuals I shoot are only as good as the sound design and sound effects accompanying it.
May 19, 2020, 04:51 PM
https://www.asoundeffect.com/sci-fi-engine-sound-d...
While creating his impressive Advanced Propulsion debut SFX library, seasoned sound designer and audio lead Paul Stoughton came across some highly useful source material, from some rather unusual places.
May 19, 2020, 12:31 PM
https://www.toolfarm.com/news/review-izotope-rx-7-...
Scott at Consordini Musical Instruments gives a thorough review of iZotope RX. He uses it as a mix engineer. It’s great to get rid of room tone, or if you’re recording on site or without a recording studio. He also uses it for video work, which I know is what many of you do for a living. He gives an incredibly deep review that covers the features in RX 7.
May 14, 2020, 07:25 AM
https://www.asoundeffect.com/the-witcher-series-so...
Want the story behind Netflix's hugely popular The Witcher series? Sound supervisors Matthew Collinge and Danny Sheehan cover everything from the sounds of magic, dragons and zombies, to dialogue, processing and Foley in this new interview:
#sound design#sound effects#film sound#the witcherDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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