It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 19, 2015, 12:34 PM
http://variety.com/2015/artisans/production/editor...
Even before the fifth season of “Breaking Bad” ended, the editorial team knew the show’s weasely lawyer Saul Goodman (Bob Odenkirk) would return in AMC’s prequel spinoff “Better Call Saul.”
March 16, 2015, 10:31 AM
https://www.newbluefx.com/Survival-Guide-To-NAB
With so many things to see and do at NAB, it helps to plan ahead. As veteran NAB attendees, the NewBlueFX team put together our favorite NAB tips, tricks and secrets to share with you. Here's our 2015 survival guide for NAB:
#film editing#nab#newbluefx#national associate of broadcastersMarch 14, 2015, 09:21 AM
http://9to5mac.com/2015/03/14/apple-invent-usb-typ...
Yesterday on his Talk Show podcast, Daring Fireball’s John Gruber suggested that his Apple sources told him that Apple invented USB Type-C. Known for often insightful but always ‘not negative‘ Apple commentary, Gruber sometimes peppers his stories with info he’s gained from inside Apple which he calls “little birdies” (that haven’t been 100% recently, but used to be spot on).
March 9, 2015, 10:11 AM
http://jonnyelwyn.co.uk/film-and-video-editing/fcp...
Hopefully this is the web's most comprehensive round up of the articles, tutorials, tips, book reviews and videos on the FCPX centric workflow used on the Hollywood studio feature film - Focus
#fcpx#assistant editing#focus#feature filmMarch 3, 2015, 03:46 PM
http://lintondavies.co.uk/blog/the-editing-of-whip...
The Academy thought it was the best edited film of the year. Here's a closer look at how it was cut.
#editing#film#technique#theory#art#analysis#whiplash#breakdownMarch 3, 2015, 05:34 AM
http://www.definitionmagazine.com/journal/2015/3/3...
Perhaps an off-the-wall alternative to Smoke, Nuke and Fusion is HitFilm (www.hitfilm.com). Now in its third release, Hitfilm is a surprisingly capable 3D compositing and VFX solution – with the added benefit of editing facilities.
March 2, 2015, 05:57 PM
http://news.doddleme.com/equipment/will-smiths-foc...
Looking to rebound from the box office disaster that was After Earth, Will Smith is coming back with a role that helped restore his critical and box office mojo (it was the number one film this past weekend). In Focus, Smith plays a con man who grooms an attractive young woman into the art of the grift. While Smith is bound to shine doing what it he does best, it may be the post-production work, performed in Final Cut Pro X, that may steal the show.
March 2, 2015, 05:56 AM
https://www.editorsguild.com/FromTheGuild.cfm?From...
The start of a new year prompts us to step back momentarily from our day-to-day concerns, reflect upon the long view, and make resolutions for our future. This column affords a similar opportunity to take stock of the bigger picture. Ordinarily we focus on what post-production employees have accomplished through their solidarity, but let’s cut from our usual close-ups of Local 700 organizing to a wide shot of the state of the American labor movement.
March 1, 2015, 09:01 AM
http://jonnyelwyn.co.uk/film-and-video-editing/fre...
A quick round up of some of the best free FCPX plugins, effects, titles, animated templates and generators on the web
#fcpx#free fcpx downloads#free plugins#free fcpx effects#freebiesFebruary 27, 2015, 12:44 PM
http://videoandfilmmaker.com/wp/index.php/features...
It’s not news to hear that making films can be an incredibly expensive process. And even though it’s completely acceptable to cut corners from time to time, the place it should never happen, but most frequently does, is in post. But, purchasing NLE programs doesn’t always need to push you over budget, which is where Final Cut Pro X enters – stage right.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.