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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

2020 Awards Calendars

January 15, 2020, 02:08 PM

https://www.goldderby.com/article/2020/2020-oscars...

The American Cinema Editors has a proven track record as one of the best indicators of which film takes home the Best Picture Oscar. Oscar watchers are sure to be in attendance when the Golden Eddie winners are revealed on January 17 during a ceremony at the Beverly Hilton.

Editor Jennifer Lame on Managing the Many Layers o

January 14, 2020, 05:19 PM

https://www.creativeplanetnetwork.com/news/news-fe...

As Noah Baumbach’s longtime editor, Jennifer Lame started working on the Netflix feature well before principal photography, spending hours with the director breaking down the script shot by shot.

"Little Women"'s editor, Nick Houy, ACE

January 14, 2020, 02:12 PM

https://www.provideocoalition.com/aotc-little-wome...

Nick Houy, ACE won a Primetime Emmy for his work on HBO’s The Night Of. He was also nominated for an ACE Eddie for his work on Greta Gerwig’s previous film, Lady Bird and for an Independent Spirit Award for his editing of the feature film Mid-90s. He’s also cut episodes of the TV series, Billions.

2020 Oscar Nominations List: Academy Awards Nomine

January 13, 2020, 03:21 PM

https://variety.com/2020/film/news/2020-oscar-nomi...

Todd Phillips’ “Joker,” a comic-book origin story about Batman’s biggest foe, scored a leading 11 Oscar nominations on Monday, including best picture, best director for Phillips and best actor for Joaquin Phoenix.

‘Just Mercy’ Took a Year to Edit

January 10, 2020, 08:38 PM

https://variety.com/2020/artisans/news/just-mercy-...

Editor Nat Sanders is well-versed in dealing with difficult and painful subject matters. He won an Oscar nomination for his work (along with co-editor Joi McMillon) on Barry Jenkins’ “Moonlight,” and then cut the director’s poetic drama “If Beale Street Could Talk.” He’s also edited several projects for writer-director Destin Daniel Cretton, including “The Glass Castle.”

Editor Kim Horton on Working With Michael Apted on

January 10, 2020, 08:38 PM

https://variety.com/2020/film/production/editor-mi...

In film history, there’s never been a project like the nine “Up” British documentaries, which have presented unique challenges for director Michael Apted and editor Kim Horton as they follow the lives of British individuals in seven-year intervals. Horton, who has edited the films since the 1984 “28 Up,” says, “It’s probably the greatest thing I’ve ever done. Michael refers to it as his life’s work, and I see it the same way.”

How Lee Smith and Oliver Tarney Crafted 1917's Imm

January 6, 2020, 02:50 PM

https://www.motionpictures.org/2020/01/how-editor-...

If you caught last night’s Golden Globes, you saw Sam Mendes‘ World War I epic 1917 take home both Best Film (Drama) and Best Director for Mendes himself. 1917 bested some very steep competition, including Martin Scorsese’s mob epic The Irishman, Todd Phillips Joker, and Noah Baumbach’s Marriage Story. Mendes’ film is practically flawless.

Red Shark Review of the Year - October 2019

January 3, 2020, 03:35 PM

https://www.redsharknews.com/production/item/6883-...

While we would never say that 8K has become standardised, it’s very much a known entity; we’ve all got a map in front of us and we know where we’re hiding, the argument is just about the finer details of the route and how long it will take to get there.

Like Lee Smith, editor of '1917', cut a 'one shot'

December 23, 2019, 02:38 PM

https://themediatimes.com/like-lee-smith-editor-of...

This story about Lee Smith is part of the “1917” cover pack in the Oscar Nominations Preview issue of TheWrap Oscar magazine.

Jinmo Yang on Cutting the Global Phenomenon – Aw

December 19, 2019, 02:25 PM

https://www.awardsdaily.com/2019/12/19/parasite-ed...

Editor Jinmo Yang has had an incredibly successful creative partnership with director Bong Joon-ho over the years all the way back to Okja and even his days as a VFX editor on Snowpiercer. Now the two have re-teamed for a third time with the genre defying Parasite. The film has become a global phenomenon with their film winning the top prize at Cannes and winning over international audiences and critics. This week, with the film at the center of every Oscar conversation, Jinmo Yang has earned hi...

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