It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 26, 2014, 12:23 PM
http://www.indiewire.com/article/what-we-lose-when...
Darren Aronofsky and producing partner Scott Franklin sat down with Producers Guild of America president Gary Lucchesi at PGA's Produced By Conference in New York yesterday. Here's what Aronofsky had to say about his movies and the future of filmmaking at large.
October 24, 2014, 01:43 PM
http://boingboing.net/2014/10/24/interstellar-vfx-...
Wired has an interesting look at how the science behind Interstellar helped Caltech astrophysicist Kip Thorne develop new peer-reviewed papers on the science of black holes.
October 22, 2014, 12:40 PM
http://nofilmschool.com/2014/10/if-you-want-learn-...
There's more than one way to learn how to tell a story. It's not just about sitting down with a writing utensil and a sheet of paper (or a computer and keyboard) and letting one come to life on the page. Sometimes that happens during editing. Find out how editing a documentary can greatly improve your storytelling skills.
October 21, 2014, 04:45 AM
http://variety.com/2014/film/opinion/why-technolog...
In 2004, during my freshman year of college, I was lucky enough to land a summer internship at Miramax in New York. As a film school reject, this was the holy grail, and the closest I figured I’d ever get to a movie set. While there were no Marty or Leo run-ins that summer (though I did get a “hello” from Mr. Weinstein), lessons about the entertainment industry were abundant.
October 19, 2014, 08:13 AM
http://deadline.com/2014/10/marvel-victoria-alonso...
Victoria Alonso, Marvel Studios’ exuberant EVP of visual effects and post production, told a roomful of VFX industry leaders this morning that it needs to invite more women into the industry, and onto the stage. And for entertainment industry newcomers trying to find their way into the business, she had simple advice: “fill the gap.”
October 17, 2014, 08:33 AM
http://jonnyelwyn.co.uk/film-and-video-editing/the...
If you are a film editor who wants to learn how to use After Effects in a comprehensive way then check out this round up of the best training on Lynda.com to do just that.
#after effects#compositing#rotoscoping#animation#after effect training#video skillsOctober 17, 2014, 04:43 AM
http://nofilmschool.com/2014/10/offload-red-giant-...
Red Giant has created one of the simplest and seemingly fool-proof tools with Offload, which can not only back up footage in multiple places at once, but also provides checksum verification to ensure that the information copied matches what was on the card. While tools like ShotPut Pro have been pretty standard for a number of years, Offload at $50 for the full version is coming in at about half the price of ShotPut (though if you're doing this work professionally they are both very inexpensive ...
October 14, 2014, 11:59 AM
http://variety.com/2014/film/news/shoonmaker-scors...
LYON – Martin Scorsese has influenced generations of new filmmakers. But who and what films influenced Scorsese? One front-runner: “The Tales of Hoffmann,” Michael Powell and Emeric Pressburger’s 1951 adaptation of Jacques Offenbach’s opera, which liberated the duo from the constraints of early 1950s’ sound cinema.
October 14, 2014, 09:12 AM
http://sportsvideo.org/main/blog/2014/10/david-fin...
David Fincher’s Gone Girl, which opened Oct. 3 to rave reviews and has secured the top spot at the box office the past two weekends, is the first major Hollywood feature film cut entirely in Adobe Premiere Pro CC. The post-production company made the decision switch from Final Cut Pro and use Premiere Pro CC because of its tight integration between Premiere Pro CC and After Effects CC, which allowed multiple editors and VFX artists to work on the same project. And, Premiere Pro CC was able to ...
October 13, 2014, 11:38 AM
http://prolost.com/blog/max2014
Last week, Adobe held their MAX event to announce some cool new creative tools. At the keynote, they put me up on the big screen as an example of how Lightroom's cloud syncing legitimizes mobile photography. Wanna see? It's right at the head of the section on mobile apps.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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