It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 30, 2014, 04:46 AM
http://daredreamermag.com/2014/07/24/increase-clie...
If you’ve been a professional creative for more than a year, chances are at some point you’ve had a client not entirely happy with the final product. That’s bound to happen in your career, regardless of what amount of prep you do ahead of time. But it’s unfortunate and unnecessary if it happens due to a breakdown in communication or unmet expectations. It’s for that reason that years ago I started using a video brief (also known as a creative brief).
July 29, 2014, 09:49 AM
http://www.electronista.com/articles/14/07/29/drob...
Connected Data, creators of the Drobo range of storage appliances, has launched a version of its most portable device with built-in storage. The Drobo Mini, first revealed two years ago, will include four SSD drives pre-installed into its four 2.5-inch drive bays, giving users such as photographers and film makers a fast storage option without needing to buy drives separately.
July 28, 2014, 12:25 PM
At least three different editors in various locations on the planet were able to do their editing tasks using DaVinci Resolve 11 via a shared hierarchy. Adjustments could be made from any workstation through a MacMini server that connected all the users, and the resulting metadata transferred via cat 7 Ethernet to everyone involved.
#editing#color grading#davinci resolve#post production#hardware#tech#media trends#6k dragon#lumaforgeJuly 27, 2014, 05:36 AM
http://psm.org.pl/o-montazu/158-montazystki-wysoki...
Long interview with three famous Polish editors: Lidia Zonn, Ewa Smal and Milenia Fiedler. In Polish.
#editing#editors#interview#movies#polish#poland#milenia fiedler#lidia zonn#ewa smalJuly 27, 2014, 04:54 AM
http://jonnyelwyn.co.uk/avid/how-to-be-a-dit-part-...
In the 10th instalment of my How To Be A DIT series you can find an extensive round up of DIT related tutorials, tools and hardware. As well as plenty of insights on post workflows from professional DITs. Useful for anyone wanting to deepen their knowledge of post-production
#dit tools#how to be a dit#dit workflows#dit tutorials#dit hardware#dit gearJuly 25, 2014, 03:11 AM
http://www.psm.org.pl/wypowiedzi/76-first-frame-wy...
Interview from British magazine First Frame with two Polish editors, Milenia Fiedler and Rafal Listopad. In Polish and English.
#editors#polish#poland#psm#first frame#katyn#milenia fiedler#rafal listopadJuly 22, 2014, 05:10 PM
http://www.moviemaker.com/articles/feast-eyes-conf...
Food is a rich cultural signifier and storytelling device, both ripe for fetishization and so familiar that we often overlook its cinematic affect. In Feast for the Eyes, we seek to chart the gastronomic iconography of the screen, move forward from simple fantasies of edibility, and ponder instead the depths of narrative, character and theme that a simple pastry can encode between its buttery layers. From Chocolat to Chef (see this menu explication from Roy Choi himself), from Tarantino to Miyaz...
July 20, 2014, 01:39 PM
http://www.randalolson.com/2014/01/25/movies-arent...
Randy Olson takes a look at IMDB data to see if movies are actually longer than they used to be.
July 14, 2014, 09:46 AM
http://videoandfilmmaker.com/wp/index.php/features...
Spearheading the next generation of feature film editors is Sean Lahiff, recently finished up on Wolf Creek 2 and already setting his sights on the next thing. Sean talks tech, professional journeys and why John Jarratt doesn’t scare him.
July 13, 2014, 08:33 AM
http://www.macprovideo.com/hub/motion/drawing-with...
It's possible to draw whatever you wish in Apple Motion using flames... and without burning yourself or your Mac! Ben Balser shows how in this excellent tutoria
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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