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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Magic of Cinema is in the Cut

December 18, 2019, 01:57 PM

https://www.moviemaker.com/archives/news/ford-v-fe...

Long shots may be impressive, but Ford v Ferrari director James Mangold would also like us to consider the beauty of cuts.

The Aeronauts" editor Mark Eckersley Interview

December 17, 2019, 02:48 PM

https://www.provideocoalition.com/aotc-aeronauts/

Mark Eckersley is a London-based editor who has cut features including Dredd, Filth, The Woman in Black 2, and Wild Rose, among others. He has also edited episodes of the fantastic TV shows The Crown, Black Mirror and Peaky Blinders.

After Effects Classic Course: Wiggle Transform for

December 16, 2019, 10:03 PM

https://www.provideocoalition.com/after-effects-cl...

For the next few months, we’re going to be working our way through various “new features” courses we created in the past for LinkedIn Learning & Lynda.com, covering features added since Creative Suite 4 – just in case you missed them. We’re going to be grouping them by the version they were added to (starting with CS4), and will create a post for each set of related features in that version.

Editors Reveal How They Created Conflict

December 16, 2019, 01:56 PM

https://www.hollywoodreporter.com/lists/editors-19...

The pros describe their process for telling stories set in the trenches, newsroom and courthouse: "There was a lot of pressure."

10 Films That Suffered In The Editing Room

December 15, 2019, 01:24 PM

http://whatculture.com/film/10-films-that-suffered...

It often gets overlooked just how important the art of editing can be in creating what could eventually turn out to be an epic movie.

‘Parasite’: Cutting the Tension of Class Divid

December 14, 2019, 02:40 PM

https://www.indiewire.com/2019/12/parasite-editing...

Director Bong Joon Ho looked to Alfred Hitchcock’s “Psycho” for minor inspiration in making his breakthrough Oscar contender and genre-bending class thriller, “Parasite.” This isn’t surprising considering his meticulous rhythm and pacing throughout the voyeuristic masterpiece. “Parasite” stands out for its suspenseful, escalating tension, as the down-on-its-luck Kim family insinuates its way into the wealthy home of the Parks, only to discover they are not alone in trying to scam...

Foreign-Language Films Get a Boost in ACE Eddie Aw

December 12, 2019, 02:06 PM

https://www.studiodaily.com/2019/12/foreign-langua...

Nominations are in for the 70th Annual American Cinema Editors (ACE) Eddie Awards, recognizing achievements in film, television and documentary editing. ACE said this is the first year when three foreign-language films — Parasite, I Lost My Body and The Farewell — earned Eddie nominations. Notable in the television categories is the performance of BBC America’s Killing Eve, […] The post Foreign-Language Films Get a Boost in ACE Eddie Award Nominations appeared first on Studio Daily.

Schoonmaker on Editing ‘The Irishman’ With Mar

December 7, 2019, 03:08 PM

https://www.yahoo.com/entertainment/thelma-schoonm...

If anyone knows Martin Scorsese, it's Thelma Schoonmaker. Schoonmaker has worked with the director since 1980's "Raging Bull," which won her the first of three Academy Awards, along with six additional nominations. Most recently, she won in 2007 for "The Departed." In this

Schoonmaker Discusses Editing The Irishman

December 6, 2019, 02:07 PM

https://variety.com/2019/artisans/awards/the-irish...

Thelma Schoonmaker is Scorsese's go-to editor. In this exclusive short, she goes behind-the-scenes of editing "The Irishman."

How to Master Alfred Hitchcock’s MacGuffin Techn

December 3, 2019, 02:20 PM

https://www.premiumbeat.com/blog/alfred-hitchcocks...

The earliest iterations of moving pictures, film, and cinema were just meant to entertain. However, as the years went on, more practical uses for film and video developed. From documentaries to corporate videos to YouTube Vlogs to blockbuster movies, the medium has an endless amount of styles and uses.

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