It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 5, 2015, 12:42 PM
http://jonnyelwyn.co.uk/film-and-video-editing/coo...
You can learn a lot from following the right colorists on twitter. In this extensive round up you can learn a lot from Phil Strahl, Red Bull Media House's colorist....
#davinci resolve#color correction#colour grading#colorists#twitter#pro tipsFebruary 4, 2015, 04:00 PM
http://jonnyelwyn.co.uk/film-and-video-editing/tut...
Check out the new features in Resolve 11.2 plus a whole host of tutorials, performance tips and an excellent walk through on remote grading...
#davinci resolve#color correction#colour grading#resolve 11#remote gradingJanuary 29, 2015, 01:49 PM
http://priceonomics.com/why-every-movie-looks-sort...
Maybe you haven’t noticed, but in the past 20-or-so years there’s been a real catchy trend in major Hollywood movies to constrain the palette to orange and blue. The color scheme, also known as “orange and teal” or “amber and teal” is the scourge of film critics – one of whom calls this era of cinema a “dark age.”
January 27, 2015, 08:45 PM
http://videoandfilmmaker.com/wp/index.php/tutorial...
Why does the colour of light get cooler as the colour temperature increases? If Lee 201 Full CT Blue converts 3200K tungsten light to 5700K daylight, why do two layers of 201 (or one layer of Lee 200 Double CT Blue) convert the same 3200K light to 26,000K? Is it actually possible to predict the outcome of combining correction filters?
January 11, 2015, 12:19 PM
http://jonnyelwyn.co.uk/avid/how-to-become-a-bette...
If you want to become a better colorist in 2015, then spending a little bit of time learning from some of the world's best colorists, could do you no harm. To that end, check out this extensive round up.
#color grading#davinci resolve#baselight#color grading feature films#color grading tv showsDecember 24, 2014, 07:26 PM
http://nofilmschool.com/2014/12/adobes-camera-raw-...
Most photographers are already acutely aware of Adobe Camera RAW and the wealth of creative power that the plugin brings to a photo post-processing pipeline. However, outside of a few crafty filmmakers who have used it to process CinemaDNG footage from the hacked 5D and several other cameras, few filmmakers have had the pleasure of manipulating their footage with Camera RAW.
December 21, 2014, 10:19 AM
http://nofilmschool.com/2014/12/super-simple-workf...
RAW is a filmmaker's best friend when it comes to maintaining the utmost control over an image throughout the post process. It's also a filmmaker's worst nightmare when it comes to developing simplified workflows.
December 9, 2014, 02:07 PM
http://jonnyelwyn.co.uk/workflow-for-post-producti...
Want to learn DaVinci Resolve? Wondering which training course from Ripple Training, Mixing Light or FXPHD you should buy to help make that happen? Check out this review to see which course might suit you best!
#ripple training#davinci resolve 11#online training#mixing light#resolve training#fxphdNovember 27, 2014, 06:27 AM
http://ilovehue.net/wp-content/uploads/2014/11/Mis...
Tips: Mistika Shortcut List
November 2, 2014, 11:53 AM
http://jonnyelwyn.co.uk/workflow-for-post-producti...
Check out these 45 minutes of free training for DaVinci Resolve 11 from Mixing Light.com colorist Patrick Inhofer. Plus 34 days of tweeted tips from colorist Alexis Van Hurman. Edification on tap!
#alexis van hurkman#free tutorials#mixing light#colorist training#davinci resolve 11 training#colour grading trainingDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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