Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing MLK/FBI with Laura Tomaselli

January 30, 2021, 01:16 PM

https://www.provideocoalition.com/editing-mlk-fbi-...

Recently I was given the opportunity to interview editor Laura Tomaselli about her fantastic work on the new documentary MLK/FBI directed by Sam Pollard. What follows is the transcript of that conversation, lightly edited for clarity (no one wants to read me say “um” 40 times). Essentially the entire doc is made of archival footage. [...]Read More...

Editor Geoffrey Richman Talks Workflow on Apple TV

January 28, 2021, 12:44 PM

https://postperspective.com/editor-geoffrey-richma...

By Randi Altman Who we are in high school is rarely who we become, but some veer so far off of their presumed path that it’s hard to recover. This brings us to the Apple TV+ film, Palmer, which stars Justin Timberlake as a high school football star turned convict who returns to his Louisiana hometown after 12 years in prison. Continue reading → January 27, 2021 The post Editor Geoffrey Richman Talks Workflow on Apple TV Film Palmer appeared first on postPerspective.

How the Special Effect of Slow Motion Works

January 27, 2021, 05:27 PM

https://filmschoolrejects.com/how-slow-motion-work...

Here's a breakdown of how slow-motion went from being a technological hurdle of early Hollywood to a full-blown aesthetic choice.

The RØDE VideoMic Go Audio is Terrible: Here’s

January 27, 2021, 01:44 PM

https://www.premiumbeat.com/blog/rode-videomic-go-...

You should probably purchase a different microphone. However, these steps can help you fix your RØDE VideoMic Go audio.

A 48K VFX plate demo, from a car and a train

January 27, 2021, 01:43 PM

https://beforesandafters.com/2021/01/27/a-48k-vfx-...

In this Blackmagic Design video, Sam Nicholson, CEO of Stargate Studios, demonstrates how he shoots 12x4K VFX background plates on a stabilized driving rig using Blackmagic Design URSA Mini Pro 12K cameras.

Greyhound: Nathan McGuinness (Overall VFX Supervis

January 26, 2021, 05:51 PM

https://www.artofvfx.com/greyhound-nathan-mcguinne...

Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such as Pearl Harbor, Black Hawk Down, Pirates of the Caribbean: At World’s End and The Curious Case of Benjamin Button. When Asylum closes in 2011, he joins the DNEG team and has worked on projects such as Battleship, Total Recall, Furious 6 and Westworld.

Senior Colorist Alex Berman Joins Goldcrest Post

January 22, 2021, 01:29 PM

https://www.nycppnews.com/senior-colorist-alex-ber...

NEW YORK CITY— Senior Colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries, and commercials. His recent work includes The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA, Washington, and executive producer Ken Burns, and Hip Hop: The Songs That Shook America for AMC and producers Ahmir “Questlove” Thompson and Tarik ...

The VES Announces 2021 Board of Directors’ Offic

January 22, 2021, 01:29 PM

https://www.awn.com/news/visual-effects-society-an...

Lisa Cooke was named board chair and is the first woman elected to lead the organization; other officers include Emma Clifton Perry, David Tanka, Jeffrey Okun, and Gavin Graham.

The Gentle Editing of 'First Cow'

January 22, 2021, 01:29 PM

https://filmschoolrejects.com/first-cow-editing/

Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about the gentle editing of Kelly Reichardt‘s First Cow.

Influencers: Sofia Coppola and Editor Sarah Flack

January 22, 2021, 01:29 PM

https://www.indiewire.com/influencers/sofia-coppol...

Influencers: Coppola has relied on her long-time editor to carve out the unique rhythms and tonal balance of her films, while giving her the confidence to follow her distinctive voice.

1 17 18 19 20 21 236

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.