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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Advanced OLED Monitor Calibration — NegativeSpac

May 31, 2014, 03:39 AM

http://www.negativespaces.com/blog/2014/5/17/advan...

On negativespaces.com you’ll find numerous articles on the subject of monitor calibration. I’d say that of all the topics I’ve covered since 2007, this is the one that I've emphasized the most.

History in Color

May 23, 2014, 01:48 PM

http://www.danarkeller.com/

Bringing history to life with color.

Creating and Importing LUTs for the Sony F5/F55

May 22, 2014, 09:43 AM

http://blog.abelcine.com/2014/05/22/creating-and-i...

In the latest firmware version 4.0 for the F5/F55, Sony added the ability to load custom 3D LUTs. This enables you to see the look you want on set while recording in Raw or Log. Many have been asking about this feature for some time now, and Sony has now made it available. In the video above, I show how to create both 1D and 3D LUTs in Sony’s Raw Viewer software and then import them into the camera.

DaVinci Resolve 11 New Features

April 23, 2014, 12:01 PM

http://jonnyelwyn.co.uk/tutorials-for-film-post-pr...

Check out this post for a overview of all the new features in DaVinci Resolve 11 as well as a handful of DaVinci Resolve 10 tutorials - covering everything from skin smoothing to working with vintage lenses.

#tutorials#color correction#colour grading tutorials#davinci resolve 10#davinci resolve 11
How to Chroma Key in Adobe Premiere Pro

March 27, 2014, 07:44 AM

http://wolfcrow.com/blog/how-to-chroma-key-in-adob...

Brett Young shows us how to chroma key in Adobe Premiere Pro...

Need for Speed - Color

March 25, 2014, 01:26 PM

http://www.cgw.com/Press-Center/In-Focus/2014/Need...

Blackmagic Design’s DaVinci Resolve 10 played an important role in the Hollywood film “Need for Speed,” as freelance colorist Mark Todd Osborne used the system for advanced color. Osborne worked at LA-based production and post company Bandito Brothers’ state-of-the-art facility on the 2K DI color for various screenings and previews.

DaVinci Resolve 10 Colour Grading Resources

March 19, 2014, 12:04 PM

http://jonnyelwyn.co.uk/thunderbolt/davinci-resolv...

Check out the latest updates in version 10.1.3 of DaVinci Resolve as well as a fistful of Resolve 10 tutorials, plus a whole lot of chat about the best Mac Pro configuration for grading in Resolve.

#mac pro#colour grading tutorials#davinci resolve 10
FilmLight and Industry Partners Exhibit Flawless I

March 10, 2014, 05:52 PM

http://www.digitalproductionbuzz.com/2014/03/filml...

New and creative technologies provide professional color control at every stage.

The Colors of Wes Anderson’s Films

February 12, 2014, 11:09 AM

http://flavorwire.com/300380/the-colors-of-wes-and...

We think it’s fair to say that Wes Anderson has one of the most immediately recognizable styles of any contemporary filmmaker. But until we stumbled across this color palette whipped up by graphic designer Beth Mathews, we didn’t realize how much it had to do with his color choices. As Mathews points out, the colors Anderson...

New Features Tutorials for DaVinci Resolve 10.1

February 11, 2014, 11:34 AM

http://jonnyelwyn.co.uk/film-video-editing-tools-f...

Check out all the new features in DaVinci Resolve 10.1 in over 50 minutes of free training from Alexis Van Hurkman and Ripple Training. Plus how to create dailies for Media Composer and a Premiere Pro CC round trip workflow!

#color grading tutorials#new features#free tutorials#davinci resolve 101

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