It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 7, 2014, 06:34 PM
http://renderplease.tumblr.com/post/75936836196/i-...
Anonymous asked: I graduated film school ten years ago with the intention of working in post. Even did the intern thing but it didn't end up going anywhere. After that i was never able to find a job...
February 7, 2014, 06:02 AM
http://www.nytimes.com/2014/02/09/movies/lego-movi...
The colorful blocks and cheerful figures of the Lego world have entertained generation after generation of children worldwide and remain a source of artistic expression for adults, too. Now, they’ve been assembled for the first time in a full-length feature film.
February 7, 2014, 06:01 AM
http://www.hollywoodreporter.com/behind-screen/bec...
The Broadcasting, Entertainment, Cinematograph and Theatre Union (BECTU) is calling on the U.K. Screen Association — which represents U.K.-based visual effects companies -- to conduct a “full, independent inquiry into the work conditions that people in VFX face, especially the problem of long hours."
February 6, 2014, 05:53 AM
http://renderplease.tumblr.com/post/75615305518/wh...
Anonymous asked: What is a decent day rate for a non-union AE job at a respectable production company? Answer: Ah, yes…the infamous rate question. So many factors affect an AE’s rate and it really...
February 6, 2014, 05:49 AM
http://designingsound.org/2014/02/sfx-independence...
The year is still fresh, but 2014′s already brought us a number of great new SFX libraries. Go back to analog times and the earliest days of digital with new collections from New Sound Labs and Dynamic Interference. Or just blow the whole thing up with Blastwave FX’s latest offering.
February 5, 2014, 05:33 PM
http://periscopepost.com/technology-22/apple-s-sec...
While it frustrates some people when Apple redesigns Final Cut Pro or the Mac Pro and it no longer seems to serve the power-user base, it ultimate ends up empowering a far larger base. That's Apple's longstanding mission — to make technology ever-more accessible. And one of the primary ways Apple accomplishes that mission is through clarity. Jim Dalrymple, writing for The Loop...
February 5, 2014, 07:24 AM
http://jonnyelwyn.co.uk/film-and-video-editing/how...
In this fairly epic round up of FCPX 10.1 tutorials you can learn how to upgrade smoothly, get to grips with the new features and work with 4K media.
#fcpx#4k#fcpx 101#new features in fcpx#editing 4k in fcpx#upgradingFebruary 5, 2014, 05:45 AM
http://www.pro-tools-expert.com/home-page/2014/2/5...
More recently I have only being doing the occasional project with video and so I haven’t been personally aware how much trouble my audio post colleagues have been having with video playback and Pro Tools 11. However last week it came and but me at an awkward moment.
February 4, 2014, 03:02 PM
http://jonnyelwyn.co.uk/film-and-video-editing/lea...
A round up of Avid's latest series of tutorials on learning Avid Media Composer 7, plus a few tutorials for FCP7 switchers and 11 tutorials on what assistant editors need to know when using Avid.
#assistant editor#tutorials#assistant editing#avid media composer 7#switchingFebruary 4, 2014, 05:47 AM
http://www.awn.com/news/cutting-edge-creates-demon...
In his latest incarnation of the Frankenstein story, Stuart Beattie’s thriller follows the struggle of Dr. Frankenstein's creature 200 years after his creation. Central to this story and the visual drama is the ‘demon descension’ effect developed by Cutting Edge. In the I, Frankenstein world, as a demon’s earthly body is mortally wounded, the demon’s spirit is violently released...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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