To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Article
Technicolor Look Collection of Free LUTs for Sony
February 17, 2021, 01:09 PM
https://www.cined.com/technicolor-look-collection-...
Each camera has a unique “color science” which, simply put, is a way how captured light translates into an image. With film cameras, color science was specified by the type of film stock used, nowadays it is a combination of the image sensor and image processor. It is quite common that manufacturers of digital cinema cameras provide a free library of creative looks that are designed specifically for their cameras. These looks (in form of Look-Up-Table files) ensure that the colors in the RAW...
Color Grading "The Pink Cloud"
February 16, 2021, 05:04 PM
https://www.aotg.com/color-grading-the-pink-cloud/
By Daniel Dode, Colorist and Lead Post Production Supervisor, Post Frontier – Brazil
#blackmagic design#sundance#davinci resolve studio3 Tips to Color Grading Cinematic Images
February 8, 2021, 05:12 PM
https://nofilmschool.com/3-tips-color-grading-cine...
In my decade-long career as a colorist, I’ve worked on every imaginable type of content: short-form, long-form, advertising, non-fiction, episodic—you name it. And while each of these formats requires its own approach, one constant which spans all of them is the client’s desire for a cinematic look.
Lynette Duensing recognized by Colorist Society In
February 5, 2021, 05:45 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — The Colorist Society International (coloristsociety.com) has appointed Lynette Duensing to a position as fellow. She is being recognized for her outstanding achievements and contributions to the craft of color across a highly productive career that spans more than 30 years.
Why Most Movies are Shot with Two Dominant Colors
January 20, 2021, 01:32 PM
https://filmschoolrejects.com/why-movies-are-shot-...
You can date a film based on its use of black and white film stock. You can date a film based on its use of Technicolor. And mark my words, orange and teal contrast is going to be inseparable from the early 21st century.
December 30, 2020, 03:08 PM
https://filmschoolrejects.com/carol-todd-haynes-co...
In our Color Code column, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his fifth entry, he digs into Todd Haynes’ Carol.
Tell us how you use Mistika Technology in your pos
December 17, 2020, 01:48 PM
https://www.sgo.es/tell-us-how-you-use-mistika-tec...
Mistika Technology is being deployed globally on a daily basis to tell incredible stories and create unique experiences. SGO would like to encourage Mistika users to share their exciting projects with the global creative community for a chance to win a Mistika VR, Boutique, Workflows or DVO Tools license with a total prize value ...
Monitor Calibration Checklist
December 17, 2020, 01:48 PM
https://icolorist.com/monitor-calibration-checklis...
Calibration Check List from Professional Video Alliance
Head of Colour, Fergus McCall - The Mill
December 16, 2020, 01:50 PM
https://www.themill.com/stories/30-years-of-the-mi...
To celebrate ‘30 Years Of The Mill’ we are turning our focus to the extraordinary people behind our creativity. We asked a snapshot of 30 Makers from across The Mill to share their most inspiring projects from the past, alongside their future-facing insights on the advertising industry and evolution of creative technology. Read below to find out what inspired Head of Colour, Fergus McCall to join The Mill in its infancy and why investing in youth and talent is integral.
Are LUTs packs worthwhile?
November 23, 2020, 02:10 PM
https://www.provideocoalition.com/are-lut-packs-wo...
You always know a colourist is paying attention when a LUT is named “Fuji Superior 200” (sic).
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