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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing From Home and Keeping Your Sanity

September 23, 2021, 08:58 AM

https://postperspective.com/tips-how-to-edit-from-...

By Brady Betzel I think 2020 and 2021 have been really difficult, and many of you might feel the same way. That is hard to admit — I guess my pride gets in the way a little — but with three sons under 10 at home, and now at school, it feels like one stress leads to another and another and another. Continue reading → September 21, 2021 The post Editing From Home and Keeping Your Sanity appeared first on postPerspective.

Porter Robinson’s Secret Sky VR Concert Shot with Blackmagic Design Cameras

July 15, 2021, 12:00 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that Porter Robinson’s “Secret Sky” concert was shot using Blackmagic Design’s Pocket Cinema Camera 6K Pro, Pocket Cinema Camera 6Ks and URSA Mini Pro 4.6K G2. The hour plus immersive concert, which has been watched by millions around the world, could be viewed in 2D as well as inside a VR world where customers could mingle with avatars of other fans from around the world.

#blackmagic design#davinci resolve studio#pocket cinema camera 6k#pocket cinema camera 6k pro#ursa mini pro 4.6k g2
CHRISTMAS IN JULY – QLD

July 6, 2021, 08:56 AM

https://www.screeneditors.com.au/christmas-in-july...

Time to dust off those crazy Christmas sweaters and come and have some fun with colleagues and friends. Entry includes your first drink.  Bookings essential. TICKETS ON SALE NOW $14 Guild Members (+ booking free) $18 Non Guild Members (+ booking fee) TO PURCHASE TICKETS: https://tinyurl.com/kyprf36m

STOP. GO. START: – BRISBANE & ZOOM

June 29, 2021, 09:25 AM

https://www.screeneditors.com.au/stop-go-start-qld...

The Australian Screen Editors and the Australian Screen Sound Guilds present: A discussion on Post-Production Sound and how to avoid the pitfalls. This session will explore how best to assist your Post Sound team - what Editors / Assistant Editors need to: • STOP doing • GO keep doing • START doing Follow Sam the […]

ASE Rates & Conditions Public Document – 2020

June 29, 2021, 09:25 AM

https://www.screeneditors.com.au/ase-rates-and-con...

This is an introduction to the ASE's Rates & Conditions Document, containing some basic information and guidelines. To see the full document, ASE members can go to Rates & Conditions - Full. You will need to log in to access the full document.  ASE Rates and Conditions - Public Document - 2020   This ASE Fringes […]

HPA Awards Open Creative Categories Call for Entries

June 17, 2021, 03:40 PM

https://hpaonline.com/hpa-awards-open-creative-cat...

For over fifteen years, the HPA Awards have recognized the creative brilliance of the HPA community, honoring artistry in color grading, editing, sound, and visual effects in feature film, episodic, and commercials. A sought-after honor, the HPA Awards have recognized the most compelling and important work from around the world.

#editing#hpa awards#hpa#film editing#tv editing
Joi McMillon The Underground Railroad coed

June 17, 2021, 08:58 AM

https://www.goldderby.com/feature/joi-mcmillon-the...

Academy Award nominee Joi McMillon edited five installments of Barry Jenkins‘ 10-episode limited series “The Underground Railroad,” which is based on Colson Whitehead‘s Pulitzer Prize-winning novel of the same name. In our exclusive video interview, McMillon discusses the importance of ensuring that Cora’s (Thuso Mbedu) “perspective is [thoroughly] represented,” the depiction of violence on this show, and finally, two of her upcoming projects. Watch the full video webchat above.

Suicide Squad: Editor reveals the changes Warner Bros. demanded of David Ayer in the cut that hit theaters

June 14, 2021, 08:44 AM

https://www.explica.co/suicide-squad-editor-reveal...

The version of Suicide Squad – 25% that hit theaters in 2016 wasn’t actually the one planned by director David Ayer, who has said on numerous occasions that the studio ditched much of its work to try to keep up with it. the competition. This has caused many people, in view of the success of Zack Snyder’s Justice League – 82%, ask that the same be done with the one in this movie. And the differences seem to be much bigger than we think, since even the director himself has said several tim...

#suicide squad#david ayer#warner bros
Pixar and Visual Storytelling

June 5, 2021, 10:45 AM

https://gointothestory.blcklst.com/pixar-and-visua...

A tiny bit of business in the movie Up reminds us that movies are primarily a visual medium.

QA with Planet of the Apes Editor Chris Lebenzon

May 23, 2021, 11:48 AM

https://moviemaker.com/q-amp-a-with-planet-of-the-...

Editor Chris Lebenzon got his start in motion pictures in the late 1970s, when he started fooling around on the KEM machine that his roommate, Michael Wadleigh, had used to cut Woodstock. Though he worked steadily on a number of small independent films at that time (most of which still have never been seen by audiences), Lebenzon’s first big break came when editor Richard Chew brought him on board as an assistant editor on Wadleigh’s Wolfen in 1981.

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