It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 6, 2013, 11:17 AM
http://daredreamermag.com/2011/02/02/my-tapeless-w...
Update May 6, 2013: This article will give you a good foundation to start with. However, since the original writing of this post in 2011, I've updated my workflow to fit FCPX.
May 6, 2013, 11:17 AM
http://www.socialmeteor.com/2013/04/30/mac-vs-pc-w...
Designers and video editors used to ‘need’ Mac computers to get the job done. Now, they’re getting the job done equally well on both platforms. Macs have been the preferred tool of visual designers and video editors for decades. They’ve also been an outcast of PC-centric corporate networks. Over the years, an epic battle raged between network administrators and corporate creative groups over which machines were best for the company.
May 3, 2013, 05:37 PM
http://variety.com/2013/biz/news/local-hero-dave-t...
He’s the honcho of a department that edits hundreds of films each year for broadcast on TV and airlines, re-cutting films to address time constraints and Standards and Practices issues, all while preserving the asset as it travels through the many versions that are created in post-theatrical life.
May 2, 2013, 09:36 AM
http://aframe.com/blog/2013/05/02/What-is-aframe
Being a cloud-video-asset-management-software-service-with-API-platform isn't as easy to explain as you might think, you know.
May 2, 2013, 04:33 AM
http://aframe.com/blog/2013/05/02/What-is-aframe
Being a cloud-video-asset-management-software-service-with-API-platform isn't as easy to explain as you might think, you know. So to answer that age old questio
May 1, 2013, 05:00 PM
http://libregraphicsworld.org/blog/entry/first-loo...
It's finally possible to download and run an awards-winning non-linear video editor Lightworks on Linux, for free.
May 1, 2013, 02:39 PM
http://www.studiodaily.com/2013/05/eight-trends-sp...
The buzzword at this year's NAB was "4K," and technology is pointing the way to our 4K future by increasing the speed, the capability, and the efficiency of the tools relied on by filmmakers and other content creators. Here are...
May 1, 2013, 05:59 AM
http://jonnyelwyn.co.uk/avid/colour-correction-in-...
Check out this anatomy of a grade with colorist Chris Hall in DaVinci Resolve as he walks you through creating a 'magenta swing' look. Also some great primer tutorials on color correction in FCPX and Avid Media Composer.
#fcpx#grading#davinci resolve#avid media composer#color correction tutorialsApril 30, 2013, 05:42 PM
http://www.macprovideo.com/hub/final-cut/transitio...
If you want to make light work when creating and editing transitions in Final Cut Pro X to this is the article for you! Ben Balser delves into his box of tricks
April 30, 2013, 05:42 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
Late April saw a full house at the French Institute in New York City, as the Manhattan Edit Workshop and author Bobbie O’ Steen hosted a conversation with Oscar, Emmy and Eddie Award-winning editor Stephen Rotter. With her “Inside the Cutting Room” seminars, O’Steen is known for guiding insightful discussions on the craft of editing, and this evening was no different. Rotter has cut 35 films in as many years, so there was a lot to draw from.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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