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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sound behind the GoT Finale

June 28, 2019, 05:54 AM

https://www.asoundeffect.com/game-of-thrones-8-sou...

The multi award-winning sound of Game of Thrones has always been a key element in the series, and in this huge interview with supervising sound editor Tim Kimmel, re-recording mixer Onnalee Blank, re-recording mixer Mathew Waters, and sound designer Paula Fairfield, the team discusses the sounds of clamorous waves of wights, ice and snow, vocalizations, fire and much more. They also talk about the battles, the dragons, and what this series meant for them personally.

2019's Most Important Film Scores

June 28, 2019, 05:53 AM

https://www.premiumbeat.com/blog/mr/film-score-tre...

Use experimental ambient royalty-free tracks to put your project in the same category as today’s most talked-about films in 2019.

Industry Interview: “Leaving Neverland” Compos

June 27, 2019, 06:29 AM

https://www.premiumbeat.com/blog/interview-leaving...

We chatted with composer Chad Hobson for some insight into his process and influences — and what aspiring composers need to know.

The Basics of Surround Sound - Part 3

June 26, 2019, 12:44 PM

https://www.uaudio.com/blog/surround-sound-basics-...

When talking about sound source placement in the recording and mixing of immersive audio using traditional headphones, 5.1, 7.1 or 9.1, I feel the first rule that applies is, there are no rules.

Calrec Brio Delivers a Sound Education in Broadcas

June 24, 2019, 09:52 AM

https://www.broadcastbeat.com/calrec-brio-delivers...

HEBDEN BRIDGE, UK, JUNE 24, 2019 — Across the globe, schools and colleges are looking to train the next generation of broadcast engineers, and are finding that it entails more than just concepts and theory. Successful courses provide a well-rounded broadcast education that prepares students with technical training and hands-on skillsets to help them confidently ...

Soundtheory & Cinemasound partner on contest

June 14, 2019, 04:03 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — Soundtheory (www.soundtheory.com), the maker of audio processing solutions, has partnered with Cinemasound, a for audio-for-film educational resource. Over the next month, the two companies will publish four instructional videos about using the intelligent EQ Gullfoss in post production. In addition, each week, they will raffle off one license for Gullfoss and one free Cinemasound video course, a $250 value.

CAREERS: Knightfall supervising sound designer Dan

June 14, 2019, 07:24 AM

http://www.postmagazine.com/Video-Center/Gallery/C...

Dan Gamache, supervising sound designer and re-recording mixer at King Soundworks, talks about his career and the work he’s doing for Knightfall, which airs on History.

Friday Free Plug-in - AmpLion Free from Audified A

June 14, 2019, 07:23 AM

https://www.pro-tools-expert.com/home-page/2019/09...

In this week's Friday Free Plug-in, we are featuring ampLion Free from Audified a free amp sim.

NUGEN Audio’s Post Bundle Provides Transparency

June 7, 2019, 12:19 PM

https://www.broadcastbeat.com/nugen-audios-post-bu...

GLENDALE, CA, JUNE 6, 2019 – Re-recording mixer Mark Binder has worked with some of the most notable names in the TV and film industry, including the Russo brothers, J.J. Abrams and Mark Mangini. His resumé also boasts a variety of high-profile projects such as Star Trek, Paranormal Activity, Community, Channel Zero, Deadly Class and ...

Designing Chernobyl's disturbing, haunting sound:

June 6, 2019, 01:21 PM

https://www.asoundeffect.com/chernobyl-hbo-sound/

The sound in HBO's 'Chernobyl' - and the interplay between sound design and score - is outstanding, and it's a great pleasure to give you the story behind it in this exclusive A Sound Effect interview. Here, supervising sound editor Stefan Henrix and sound designer Joe Beal share how they made its eerily haunting soundscape, and the lengths they went to capture and design an authentic sound for the series:

#sound#sound design#sound effects#chernobyl#chernobyl sound design
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