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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

What's (NOT) in the BOX?! - ADOBE CREATIVE CLOUD

April 4, 2013, 11:37 AM

http://theeditdoctor.tumblr.com/post/47041766212/w...

Adobe has announced that it’s going halt production of BOXED versions of it’s ADOBE CREATIVE PACKAGES and this feels like a GOOD thing for us in Post Production. Why?

#cs7#adobe premiere
NAB 2013: Adobe previews new Creative Suite

April 4, 2013, 11:37 AM

http://www.postmagazine.com/Press-Center/Daily-New...

SAN JOSE, CA -- Adobe (www.adobe.com) met with the press this week in New York City to preview some of its NAB news. While the company came short of revealing the new version number for its Creative Suite, Adobe did reveal several updates as well as introduced a new collaboration solution.

After Effects Next

April 4, 2013, 11:35 AM

http://prolost.com/blog/2013/4/4/after-effects-nex...

Adobe has revealed the new features they’ll be showing off at NAB. Here’s some of what’s new in After Effects...

Adobe AE/CS7 to include a live 3D pipeline

April 4, 2013, 07:13 AM

http://www.digitalartsonline.co.uk/news/motion-gra...

The next version of the compositing software gains integration with Maxon's 3D software – and even includes a Lite version of the software for free.

Color Correct in your NLE - Tutorial Round Up

April 4, 2013, 03:30 AM

http://jonnyelwyn.co.uk/avid/nle-color-correction-...

If you're new to editing and looking for some free advice on how to best polish up your projects, then this round up of free color correction tutorials for FCPX, Premiere Pro and Avid Media Composer should help you get started.

#fcpx#color correction#avid media composer#premiere pro cs6
Editors Guild Magazine Article : With God (and Ded

April 3, 2013, 02:14 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Not long ago, Richard Marks, A.C.E., sat down and began watching his old movies — not just his best-known movies or his personal favorites, but all of them. The four-time Academy Award- and ACE Eddie Award-nominated editor says it was “a strange experience” to be reminded of the tens of thousands of decisions — large and small — that he made in the cutting rooms of such films as Apocalypse Now (1979), Pennies from Heaven (1981), Terms of Endearment (1983) and As Good As It Gets (1997).

Correcting Oscar’s Six-Year Snubs

April 3, 2013, 02:13 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Of the many crafts essential to making movies, only editing came into existence because of the medium itself. Cinematography grew out of photography. Art direction grew out of theatrical design. Sound recording existed independently for decades before its marriage to the moving image. But film editing is a technical and aesthetic craft unique to the motion picture.

Editors Guild Magazine Article : POSTSCRIPT

April 3, 2013, 02:13 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Congratulations to those who took home Oscars in the Film Editing, Sound Editing and Sound Mixing categories of the Academy Awards, as well as their award-winning colleagues at the American Cinema Editors (ACE), Motion Picture Sound Editors (MPSE) and Cinema Audio Society (CAS) awards ceremonies — some of whom may be one and the same. The winners have already been announced by the time you are reading this, although none of them were determined when I was writing this at press time.

From the Guild : EDITORS LOUNGE LOOKS AT TECH TREN

April 3, 2013, 02:13 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

On Friday evening, March 22, with spring in the air, the 10th anniversary edition of the Editors Lounge Pre-NAB Discussion Panel convened at Key Code Media in Burbank. Billed as an opportunity for attendees to learn the panelists’ opinions about business and technical trends in a swiftly changing post-production environment, the evening did not disappoint. After in-depth discussion about the future of 3D, 4K, High Frame Rate, Multi-Screen, the Cloud, and the three As — Adobe, Apple and Avid ...

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