It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 27, 2013, 04:34 AM
http://www.bfs-filmeditor.de/aktuell/meldungen/mel...
(In German) A DAY THAT DEALS WITH APPROACHES TO MODERN CUT IN A TIME OF EVER-CHANGING USAGE PATTERNS.
March 26, 2013, 09:55 AM
http://jonnyelwyn.co.uk/film-and-video-editing/dia...
In this third instalment of my diary of switching from FCP7 to Avid Media Composer I get stuck into Avid AMA, timeline transitions, tricks for trimming and batch importing. Plus the usual amusing gifs.
#avid media composer#avid tutorials#avid switcher#fcp7 editorMarch 26, 2013, 02:51 AM
http://jonnyelwyn.co.uk/cool-videos-films-projects...
Colorist Jesse Borkowski is back with a second series of node by node tutorials on how to create a music video look in DaVinci Resolve involving qualifiers, simple compositing techniques and more.
#davinci resolve#colour grading#color grading tutorials#jesse borkowskiMarch 26, 2013, 02:29 AM
http://www.postproductionbuyersguide.com/prasad_03...
YUVsoft interviewed Mr. Mohan Krishnan, Head of Corporate Communications at Prasad Group about the most challenging aspects of recent conversion for Sivaji 3D
#workflow#2d to 3d conversionMarch 25, 2013, 10:53 AM
http://aframe.com/blog/2013/03/25/great-video-edit...
Video editing is a serious business. It can mean the difference between a great production and a flop. Great editing brings content to life and brings order to the chaos of production. But what can the rest of the production team do to make the final editing process, well, great? Getting organised is a good place to start...
March 24, 2013, 08:31 AM
http://editorsguildisrael.org/new/wordpress/-----%
(In Hebrew) Brian Goldberg, agent television and film productions talent agency Paradigm, one of the five largest agencies in the American entertainment industry.
March 22, 2013, 05:24 PM
http://www.studiodaily.com/2013/03/cutting-from-go...
Spring Breakers, the latest film from director and provocateur Harmony Korine, is not just one of the weirdest movies to open this year but also one of the most commercially successful, pulling in big numbers last weekend on just three screens in New York and Los Angeles. As the booze-and-bikini-fueled crime drama expands into wide release, it's hard to guess what more mainstream audiences will make of its mix of cheesecake, gunplay, and general debauchery...
March 21, 2013, 05:16 AM
http://icolorist.com/fix-it-in-post-wtf/
What has happened to the integrity of the craft of filmmaking? There once was an attitude of keeping the level, the quality of the image superior, but lately I’ve seen the opposite. I’ve seen DP’s make huge mistakes, in their exposure and in their color settings. Either it’s ego, or incompetence, but it’s a problem that is hurting the very image that they are so desperately trying to produce. It’s funny that I see two sides of the equation, one side is that DP’s fear that their wor...
March 20, 2013, 05:22 PM
http://www.editorsguildsa.org/news/2013/sage-cape-...
Better late than never! SAGE Cape Town is proud to present a look back at the events of 2012. We look forward to bringing you many more great events in 2013.Introduction to Adobe After Effects for Editors Training DayOur first Cape Town SAGE event for 2012 was a full day Training Day on 25 February, Introduction to Adobe After Effects for Editors.
March 20, 2013, 02:06 PM
http://www.larryjordan.biz/app_bin/wordpress/archi...
Three emails got me thinking today. The first was from Jack Reilly, of Future Media Concepts who is organizing Post-Production World at NAB. He's asked me to host a Hot Panels session Wednesday at NAB on The Future of Editing.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.