It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 6, 2019, 08:34 AM
https://www.hollywoodreporter.com/behind-screen/ca...
Composers Harry Gregson-Williams and Rupert Gregson-Williams are featured in a new episode of The Hollywood Reporter's Behind the Screen podcast series.
June 4, 2019, 06:45 AM
https://www.premiumbeat.com/blog/interview-film-co...
We sat down with international composer Herdís Stefánsdóttir for some insight into her influences, working process, and creative world.
June 3, 2019, 05:44 AM
https://www.premiumbeat.com/blog/what-to-record-wh...
For filmmakers, traveling can sometimes become a burden of B-roll overload. You want to be present and enjoy your trip, but also capture the shots you need for a dynamite edit. Personally, I’ve had my fair share of trigger-finger moments, where I’ve arrived at a stunning location and gone entirely overboard with capturing B-roll beauty of almost every single mountain, river, shrub, rock, and stick.
June 3, 2019, 05:44 AM
https://www.pro-tools-expert.com/home-page/2019/6/...
There have been a number of reports on social media that Pro Tools wouldn’t work because iLok Cloud Servers were affected by the Google Network congestion issues that affected Google Cloud, G Suite, and YouTube.
June 1, 2019, 10:14 AM
https://randythomblog.wordpress.com/2019/06/01/the...
Creating the sound of flab in motion is a challenge we in sound design encounter fairly often, most frequently in animation. We see an obese character move.
May 29, 2019, 06:06 AM
https://www.pro-tools-expert.com/home-page/2019/5/...
In a new format we are producing videos offering tips and solutions to common problems in under a minute. In this free video tutorial we show you how easy it is to colour tracks and clips in Pro Tools.
May 27, 2019, 05:50 AM
https://www.pro-tools-expert.com/home-page/2019/4/...
From the show floor at NAB 2019, Avid’s Greg Chin shows off the UVI Falcon hybrid virtual instrument, a music creation tool that gives you a pure sound design synthesizer, a huge sound library, 80+ effects, modulators, events, scripting and more in an expansive semi-modular sound design environment, all from within Pro Tools.
May 13, 2019, 05:58 AM
https://www.pro-tools-expert.com/home-page/2019/4/...
The look, feel and overall layout of the Pro Tools user interface hasn’t really changed that much over the years. Take a close look at both the images below. One is of Pro Tools 5 from around 2002, the other is of Pro Tools today in 2019. Apart from the obvious advances in graphics technology clearly separating the two versions there really isn’t that much between these user interfaces in terms of general design, layout and form factor.
May 11, 2019, 07:13 AM
https://www.redsharknews.com/audio/item/6347-one-a...
In the last three decades of the 20th century, when film was still the dominant medium, there was one piece of equipment that, close to being universal, was an essential piece of kit for the smallest documentary to the grandest feature film. It was the Swiss-made Nagra audio recorder. And perhaps the most definitive of these was the Nagra IV series.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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