It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 8, 2013, 03:00 PM
http://news.doddleme.com/blogs/post-production/upg...
If you’re like me, you buy the best Mac or PC for your work, but within your budget. I needed to move up to an iMac from my Mac mini for Final Cut Pro X editing, but didn’t want to spend too much money on a new, late-2012 model iMac. So I bought a 21.5-inch Apple-refurbished mid-2011 iMac, base model with 8GB of RAM. And I upgraded it to 16GB of RAM from Other World Computing (OWC), plus an OWC Mercury Elite Pro hard drive and a NewerTech Guardian MAXimus mini RAID drive for good measure.
March 8, 2013, 02:54 PM
http://www.moviemaker.com/diy/movies-better-fcp-x-...
It's literally shocking that a product from Apple happens to be the best kept secret in post. Pretty much everyone I come across is dumbfounded when I tell them that Final Cut Pro X (FCP X) is my non-linear editing platform of choice. And to be honest, I half feel like I shouldn't be writing this article. Why? Well, part of me selfishly wants to keep this workflow to myself so I can keep my competitive advantage.
March 8, 2013, 01:04 PM
http://jonnyelwyn.co.uk/workflow-for-post-producti...
Couldn't make it to Broadcast Video Expo 2013 in London, then check out these free seminars from Larry Jordan on FCPX, 4K and BMDCC plus a bunch more fascinating talks from talented people.
#fcpx#larry jordan#bve2013#free seminars#4k workflows#working in bmdccMarch 8, 2013, 11:08 AM
http://www.hollywoodreporter.com/news/why-life-pi-...
Ex-Digital Domain CEO and founder Scott Ross says relentless cost pressure from studios is tearing the industry apart.
March 8, 2013, 05:44 AM
http://digitalfilms.wordpress.com/2013/03/08/organ...
The beauty of Apple Final Cut Pro X is in its power to organize media. When editors take advantage of these tools, FCP X can prove to be a very fast way to cut. I've covered some of these concepts in previous posts on
March 7, 2013, 03:07 PM
http://community.avid.com/blogs/mediacomposer/arch...
The following is the fifth in a series of five blog posts from Rob D’Amico, Senior Product Manager for professional film and video editing solutions, which will cover key changes in Media Composer 6.5.2. You can follow Rob on Twitter at @_RobDAmico_. My name is Rob D'Amico (Media Composer family of products product manager), and I will be contributing to this blog throughout 2013. The goal is to bring more awareness to editors, 3rd party partners, resellers and other industry folks that...
March 7, 2013, 03:02 PM
http://www.arkansasonline.com/news/2013/mar/07/har...
David Condolora, who graduated from Harding University in 2006, is making a career out of editing films for Pixar Animation Studios in Emeryville, Calif. Condolora’s role as a second assistant editor allows him to interact with all of the other departments at the animation studio. “Editorial helps put the movies together,” Condolora said. “We make sure the story makes sense, and make changes. We then enter the process of going back and forth until the movie gets to the best it can be.”
March 7, 2013, 01:54 PM
http://jonnyelwyn.co.uk/film-and-video-editing/fin...
If you're looking for tips on some innovative collaborative FCPX workflows then check out this trio of articles to guide you through the peaks and troughs of working with FCPX
#fcpx workflows#collaborative fcpx workflows#red workflows in fcpxMarch 7, 2013, 10:32 AM
http://daredreamermag.com/2013/03/07/video-compres...
Now that you’ve exported your video, you gotta put it somewhere. But where? Do you throw it up on your website (e.g. youdomain.com/videos/my_video.mov). Do you put it on YouTube? Perhaps Vimeo? What about that blip thingy? Or maybe you’ve read a post (like this one) that says video producers should use a service like Wistia to host videos?
March 7, 2013, 06:09 AM
http://www.bostonglobe.com/business/2013/02/26/avi...
The day after the Academy Awards is usually a celebratory event for Avid Technology Inc., as the Burlington company gets to proclaim how many winning Oscar movies used its video and audio editing products.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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