It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 27, 2013, 08:17 PM
http://filmmakermagazine.com/65870-cutting-for-sto...
Thelma Schoonmaker and Martin Scorsese. Walter Murch and Francis Ford Coppola. Tim Squyres and Ang Lee. For many an editor, these longtime creative partnerships represent the most alluring and elusive of career ideals. For editor Andrew Weisblum, that ideal is well on the way to becoming a reality — twice over.
February 27, 2013, 07:21 AM
http://www.engadget.com/2013/02/27/adobe-photoshop...
Jealous about your mates' ability to edit photos and whatnot via their mid-sized slates? Well, Adobe has just announced a solution that's ready to equip your handset of choice. That's right, the pro design software outfit added Photoshop Touch for phones that wields "core" Photoshop capabilities, Scribble Selection and supports those high-res snapshots. The app also sports Camera Fill and other special effects alongside the option to share creations via Facebook, Twitter, email...
February 26, 2013, 07:43 AM
http://news.temple.edu/news/2013-02-25/temple-film...
At about 10:30 p.m. on Sunday evening, Sandra Bullock opened the envelope. "And the Oscar goes to," she said as she tore, "William Goldenberg, 'Argo.'" With those eight words, veteran film editor and Temple alumnus William Goldenberg, BA SMC '82, won an Academy Award for "Best Film Editing" from the Academy of Motion Picture Arts and Sciences at the 85th annual Academy Awards ceremony Feb. 24 at the Dolby Theater in Los Angeles.
February 25, 2013, 08:45 PM
http://magazine.creativecow.net/article/tiffen-dfx...
Whatever your level of expertise with color grading, you are going to want to try Tiffen DFX after reading this review. In a sentence, it is one of the most useful, if not the most useful plugin you will find to extend the color correction capabilities of your editing software, solve picture problems and add creative looks to your production without a steep learning curve.
February 25, 2013, 02:56 PM
http://www.postmagazine.com/Press-Center/Daily-New...
HOLLYWOOD -- The movie industry celebrated well into the early hours following the 85th annual Academy Awards--winners were thrilled and runner-ups were gracious.
February 24, 2013, 08:30 PM
http://www.latimes.com/entertainment/envelope/movi...
Veteran editor William Goldenberg reflects on a busy schedule that led to Oscar nominations for Ben Affleck's 'Argo' and Kathryn Bigelow's 'Zero Dark Thirty.'
February 24, 2013, 03:40 PM
http://www.eoshd.com/content/9730/prores-vs-prores...
In the early days of DSLR video the codec was probably the weakest part of the camera. With the advent of uncompressed HDMI out – the codec is no longer a weak point but sensor sampling becomes an Achilles Heel.
February 24, 2013, 11:48 AM
http://www.digitaltrends.com/computing/how-directo...
Gone are the days when editing had to be done in an expensive studio. Computers are powerful enough these days to handle top-of-the-line video editing software that’s capable of producing Oscar-worthy films. Don’t believe us? We talked to Oscar-nominated director Shawn Christensen about directing, writing, and starring in his film Curfew. A man of many talents, Christensen, spoke to us about editing the film in his living room with a MacBook Pro, how technology has changed filmmaking...
February 23, 2013, 03:21 PM
http://www.cnn.com/2013/02/22/showbiz/movies/oscar...
Leading up to Sunday's Oscars, EW.com will take a closer look at four categories that moviegoers may mistakenly think of as "technical." First up: Film Editing, with insights from Life of Pi's Tim Squyres, Silver Linings Playbook's Jay Cassidy and Crispin Struthers, and Zero Dark Thirty's Dylan Tichenor and William Goldenberg, the latter of whom also cut Argo, making him one of only a handful of editors in Oscar history to compete with himself.
February 23, 2013, 01:42 PM
http://jonnyelwyn.co.uk/cool-videos-films-projects...
Check out animator Evan Seitz's 5 amazing animated brain teasers featuring film titles by numbers, colours and countries. How many film titles can you name?!
#animation#film title mashup#abc cinema#evan seitzDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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