It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 3, 2014, 05:43 PM
http://www.toolfarm.com/blog/entry/burning_questio...
Please tell me how I can learn Mograph and Motext tools when I am using Windows 8 and most of the training is taught on Mac. I know Windows is quite different from Mac. Also, why is it that most of the CINEMA 4D tutorials use Mac instead of Windows?
March 3, 2014, 05:42 PM
http://www.askaudiomag.com/articles/3-essential-pl...
Dub is a technique and style that originated in Jamaican rocksteady and reggae. Dub pioneers created the sound by experimenting with different pieces of kit and used the mixing board as a musical instrument. Originators of the sound include Osbourne Ruddock (King Tubby), Bunny Lee, Lee 'Scratch' Perry, Augustus Pablo, Prince Jammy and Scientist.
March 3, 2014, 03:15 PM
http://news.doddleme.com/equipment/a-brief-look-at...
doddleNEWS takes a look at Ci, the new offering from Sony Media Cloud Services.
#avid#sony#adobe#apple#ci#sony media cloud servicesMarch 3, 2014, 01:47 PM
http://qz.com/183269/the-3-d-sound-mixing-that-won...
It’s no surprise that Gravity took home an Oscar for sound mixing. The thriller, which puts the viewer in the open void of space, used immersive audio to great nerve-jangling effect. Gravity‘s sound effects may have put you on edge, but chances are you didn’t experience the full impact of the film’s audio.
March 3, 2014, 01:46 PM
http://www.latimes.com/entertainment/envelope/movi...
Some Oscar categories don't get much respect. Cinematography and sound editing are vital to any film, but many critics say the TV show could do without the presentation of these awards and their behind-the-scenes brethren.
March 3, 2014, 01:18 PM
http://news.creativecow.net/story/874230
(Los Angeles, California--February 28, 2014) Editors Chris Hafner and Jacob Kuehl from the global editorial company Cutters are very proud to detail their artistry behind the sensational new GRAMMY Award promotional video from TBWAChiatDay Los Angeles and Tool of North America director Georgie Stephens.
March 3, 2014, 10:46 AM
http://www.askaudiomag.com/articles/solve-the-case...
Fancy yourself as a bit of a Sherlock when it comes to re-connecting missing samples in Logic Pro X's EXS24? Well, take a break from the sleuthing and let Joe Albano show you an easier way!
March 3, 2014, 06:07 AM
http://vfxsoldier.wordpress.com/2014/03/02/541-att...
Wow. Thank you to everyone who attended and those all over who supported us in our effort to apply duties to subsidized visual effects to level the playing field. We will be heard.
March 3, 2014, 06:06 AM
http://www.pro-tools-expert.com/home-page/2014/3/3...
I have to admit I never really understood the Softube Console 1 until I started to use it. I remember the first time I saw it last year and I couldn’t help thinking to myself, oh another control surface, it’s not like we don’t already have too many of them and I have never been a huge fan of those kind of things.
March 1, 2014, 02:51 PM
http://www.loopinsight.com/2014/03/01/final-cut-pr...
Fabrizio Fracassi left Final Cut Pro when Apple made a left turn back in 2011 with the release of Version 10. Happily, Apple addressed the criticism it received from that release and Fabrizio is back in the fold.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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