It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 15, 2019, 06:29 AM
https://www.premiumbeat.com/blog/alter-video-color...
In this tutorial, I explore Premiere’s updated Lumetri curves — and how you can adjust, alter, and enhance the colors in your scene to boost your production value.
March 30, 2019, 07:15 AM
https://photography.tutsplus.com/tutorials/3-top-l...
In this round-up, we'll review three of my favorite packs for adding color styles to your Premiere footage. All of these are available as a part of the flat rate subscription to Envato Elements and can transform your flat footage into an eye-catching film.
March 15, 2019, 06:15 AM
https://www.redsharknews.com/production/item/6212-...
Claiming that inaccuracy doesn't matter is a quick way to have people leaping for the comments section in a fit of foam-flecked rage. Let's think about this as an issue of balance, though: we've spent thousands of words describing the various ways that colour can trip people up. We've been more than clear that consistent colour between lights is crucial in any world where we want the key and fill to be the same shade of daylight, and the same issue applies if we have two monitors in a room. It t...
October 22, 2018, 04:36 AM
https://doddlenews.com/doddlereviews-filmconvert-c...
If you’re looking for an affordable and easy way to get a terrific film look, from film stock to color and grain, FilmConvert is an ideal plug-in every editor should consider purchasing (and it supports quite a few popular NLEs). You simply drop the filter onto your footage, select your camera profile, how it was filmed, the film stock you’d like, and it’ll look great. But you can do some serious color grading in the Camera Controls, and still end up with a terrific film look for your proj...
October 2, 2018, 06:33 AM
https://www.premiumbeat.com/blog/create-color-them...
I’m working on video series about Vincent Van Gogh, and I need to create some motion graphics elements for this project — mainly an opening animation, some simple lower third titles, and a few other elements. Van Gogh was a Dutch Post-Impressionist painter known for using bold colors, so naturally, I want to sample some of these colors in my graphics. Lucky for me, Adobe has just the tools I need.
August 8, 2018, 04:31 PM
https://nofilmschool.com/2018/08/panasonic-opens-f...
Panasonic cinema camera users received a cool gift today with the announcement of the LUT Library, a free source for filmmakers to create looks for the VariCam and EVA1. The company teamed up with Local 600 DITs to produce 35 different 3D LUTs including display conversion LUTs and artistic LUTs.
June 11, 2018, 12:37 PM
https://nofilmschool.com/2018/06/balance-your-colo...
Chances are, if you're a colorist, you may have noticed an onslaught in software products that aim to eliminate the process of color balancing. It makes sense. The process is a tedious and time-consuming one, but more importantly, it's not exactly the most creative part of the job. With its line of color correction tools, X-Rite is clearly focused on getting colorists to their creative process sooner by combining two essential color management tools in one handy kit.
May 16, 2018, 08:58 AM
https://jonnyelwyn.co.uk/film-and-video-editing/co...
Which colour profile should you set your monitor to for video editing? What’s the difference between sRGB, Adobe RGB, DCI-P3 and others? What colour space is my NLE using? How do I correctly colour grade for internet delivery?
#video editing#colour management#rgb vs srgbApril 4, 2018, 05:16 AM
https://www.engadget.com/2018/04/04/adobe-premiere...
At NAB 2018, Adobe has announced that the Sensei AI used in Photoshop and Lightroom have come to its Premiere Pro CC editing app. The first tool, Color Match, takes a lot of tedium out an edit. Even when filmmakers are careful, hues and tones can vary from shot to shot, so editors usually have to do a laborious color correction. All you have to do is tweak one shot just the way you want it, and Color Match will apply them to your other shots as editable color adjustments. That way, if it's still...
July 13, 2017, 09:28 AM
http://www.4kshooters.net/2017/07/13/primers-3d-lu...
After 2 years of research and development and some extensive improvements and optimizations in the recent months, the Omeneo’s Primers 3D LUT Pack specifically designed for Sony’s professional camcorder lineup just got a significant update. For those of you who might not be aware, these look-up tables are custom made through a detailed analysis and custom methodology utilizing the full dynamic range of the recorded data on the most popular Sony mirrorless cameras and professional camcorders.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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