It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 17, 2014, 11:06 AM
http://www.motionvfx.com/mblog/final_cut_pro_goes_...
Shortly after the release of 10.1, and quite unexpectedly, Apple has just announced that 10.1.1 is available for download. The new patch does not include any new features - it's all about bug fixes and resolving stability issues. Yet it's good news nonetheless that Apple responds to problems reported by FCPX users that quick. There are more issues though, and we hope to see next update soon.
January 17, 2014, 11:05 AM
http://www.tgdaily.com/games-and-entertainment-fea...
The Academy Awards were announced early on January 16, and the movies that won the most nominations were Gravity and American Hustle. There’s already been backlashes against both movies, with some considering them over-rated, but the Motion Picture Academy sure didn’t think so, giving ten nominations to each.
January 17, 2014, 11:04 AM
http://www.askaudiomag.com/articles/logic-pro-to-p...
No matter how attached you are to your DAW, one day you'll likely need to transfer your project to another app. Joe Albano shows how to transfer from Logic Pro to Pro Tools and back again!
January 17, 2014, 11:04 AM
http://www.artofvfx.com/?p=2740
Last week, Vincent Cirelli and his team at Luma Pictures spoke about their work for THE AVENGERS. This time, they explain their involvement on the movie that marks the return to SF for Ridley Scott: PROMETHEUS.
January 17, 2014, 05:54 AM
http://www.nytimes.com/2014/01/19/movies/thelma-sc...
Continuing what’s become something of a yearly tradition, films of considerable length have colonized American movie screens this Oscar season, from Hollywood releases like “The Hobbit: The Desolation of Smaug” (2 hours 41 minutes) and “The Wolf of Wall Street” to art house fare like “Blue Is the Warmest Color” (both 2 hours 59 minutes long).
January 17, 2014, 05:53 AM
http://www.pro-tools-expert.com/home-page/2014/1/1...
I got my hands on the new Mac Pro this week, it’s hard not to be wooed by the cute (it’s very small) little powerhouse, it was an almost religious experience for this Mac fanboy.
January 17, 2014, 05:51 AM
http://blog.dolby.com/2014/01/two-dolby-atmos-film...
Just kidding. We at Dolby won’t get to give an Oscars acceptance speech this year (though our company and employees have won a few Academy Awards in the past). Nonetheless, we were very proud when the Oscar nominations were announced this morning.
January 16, 2014, 04:48 PM
http://www.mcelhearn.com/an-overview-of-audio-file...
Every once in a while, I see some very odd comments about audio file formats. I just read a comment to an article about high-resolution files suggesting that that FLAC compresses the dynamic range of files.
January 16, 2014, 11:00 AM
http://layersmagazine.com/color-correction-in-prem...
This tutorial covers basic color correction in Premiere Pro. Daniel Bryant goes over three different ways to correct color in Premiere Pro. The first is using the Fast Color Corrector. The next way is through a Levels adjustment. The third way is using the Three-way color corrector. Follow along and learn how to get the best-looking video you can.
January 16, 2014, 10:55 AM
http://www.askaudiomag.com/articles/improve-your-m...
Presonus Studio One is one of the newer DAWs on the scene and has quickly gained a reputation for being streamlined and powerful. And when it comes to MIDI programming S1 has a host of useful features
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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