Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Urban Soundscape Competition

January 7, 2014, 05:45 AM

http://designingsound.org/2014/01/urban-soundscape...

“The Creative City Sapporo International Art Festival Executive Committee is issuing a worldwide invitation for submissions of sound files representing the SIAF 2014 theme that are suitable for reproduction in urban public spaces. The winning submission will be played at SIAF 2014 sites in the city during the festival, and will be heard in public spaces in Sapporo throughout the event.”

Copy grades from Resolve to SpeedGrade

January 6, 2014, 05:46 AM

http://ilovehue.net/?p=488

I’ve been working as a Resolve colorist for the past couple of years but last summer I was asked to sub for a veteran SpeedGrade colorist on a drama to be broadcasted on Radio-Canada. I did the first two shows on Resolve and finished the remaining shows on SpeedGrade. I was amazed at the speed and responsiveness of the Adobe app.

Why production is running away from Hollywood

January 6, 2014, 05:46 AM

http://www.presstelegram.com/business/20140104/why...

One hundred years ago, filmmakers tired of paying Thomas Edison patent fees for his cameras ran away from parts east to the little hamlet of Hollywood, California.There they built a mighty industry that pumped out hundreds of movies each year a

Learning Film Editing - Insights From Film Editors

January 5, 2014, 04:16 PM

http://jonnyelwyn.co.uk/film-and-video-editing/lea...

A round up of some great insider tips and tricks on the art and craft of film editing, what it takes to cut Hollywood VFX franchises and work with auteurs like Scorsese.

#film editing#craft#interviews#fim editors
6 tips for recording Electric guitars with a room

January 5, 2014, 01:34 PM

http://www.askaudiomag.com/articles/6-tips-for-rec...

When you think of miking up an electric guitar amp, placing one or two microphones directly on the cabinet first comes to mind. But what if you wanted to add a little depth and distance to that sound? Trying using a room mic. Here are some essential tips on using room mics when recording electric guitar.

Planar Tracking in Mocha

January 4, 2014, 02:46 PM

http://lesterbanks.com/2014/01/mocha-planar-tracki...

In a recording of a previously run webinar, Imagineer Systems product specialist Mary Poplin takes a look at using mocha aE, and mocha Pro for stabilizing shots for After Effects and Nuke, showing how to creatively use mocha for reframing your shots, creating set extensions, and more.

Rigging Characters Hair in AE

January 4, 2014, 02:46 PM

http://lesterbanks.com/2014/01/after-effects-riggi...

This actually represents part six in David Legion’s adventures into rigging and animating lip sync for a character in After Effects. In this installment, David shows a pretty clever solution for creating hair for the character that can swing with the movement of the puppet’s head.

The Sweet Science of a Punch Sound

January 4, 2014, 08:16 AM

http://online.wsj.com/news/articles/SB100014240527...

In the making of films like 'Out of the Furnace' with Casey Affleck and 'Grudge Match' with Robert De Niro and Sylvester Stallone, violence is unleashed against turkeys, pasta shells and actual human body parts to capture that perfect ka-pow.

Affordable, Desirable, Admirable (feat. Ron Dawson

January 4, 2014, 08:15 AM

http://digitalcinemacafe.com/2014/01/03/fcg011-aff...

The origin of FCPX Grill can be traced back to a discussion that Ron Dawson of Dare Dreamer Mag and I had in late 2013. I called him up and asked HIM if he’d have me on HIS podcast, Crossing the 180. From that discussion I decided that I really enjoyed talking about Final Cut Pro X and so a show was born. Ron and Chris also go into the difference between our backup policies.

Look Effects creates crowds for 'Grudge Match'

January 3, 2014, 05:27 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Look Effects (www.lookfx.com) recently produced visual effects for Grudge Match, the new Warner Bros. feature starring Robert De Niro and Sylvester Stallone. Directed by Peter Segal, Grudge Match tells the story of two aging boxing rivals who are coaxed out of retirement to fight one final bout, 30 years after their last match.

© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.