It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 19, 2013, 10:57 AM
http://sportsvideo.org/main/blog/2013/12/front-por...
Front Porch Digital, a global leader in cloud-based content storage management (CSM) solutions, announced that international research and business-consulting firm Frost and Sullivan has recognized...
December 18, 2013, 01:11 PM
http://lesterbanks.com/2013/12/cinema-4d-controlli...
In another 5 minute tip, Jamie Hamel-Smith takes a look at some of the possibilities in controlling animation using Cinema 4D’s Effectors, showing how you can dive animation in MoGraph.
December 18, 2013, 10:17 AM
http://lesterbanks.com/2013/12/after-effects-ae-sh...
Thanks to Michael Delaney, you can now affect and control the properties of multiple layers in After Effects through a master layer, much like the way the Cinema 4D Shader Effector operates in the MoGraph module.
December 18, 2013, 06:52 AM
http://appleinsider.com/articles/13/12/18/apples-n...
"Apple announced availability of the new Mac Pro on Wednesday, boasting that the redesigned desktop will sport the latest Intel Xeon processors, dual workstation-class GPUs, PCIe-based flash storage, and ultra-fast ECC memory. The launch less than a week before Christmas means Apple will meet its self-imposed December deadline, announced by the company in October, when it also announced pricing for the professional-grade machine..."
#mac#apple#computer#new mac proDecember 18, 2013, 05:42 AM
http://www.artofthetitle.com/title/national-lampoo...
As the third feature film title sequence produced by Kroyer Films in 1989, National Lampoon's Christmas Vacation is probably the most well-known.
December 16, 2013, 05:48 AM
https://www.aotg.com/editing-and-continuity/
Editing and Continuity - A fun Gif from imgur.
December 16, 2013, 05:39 AM
http://www.garbershop.com/?p=549
As you all may know, I’ve chosen FCP X as my NLE for the foreseeable future. However, I can’t always guarantee that I’ll be able to use FCP on jobs that I don’t run through my shop.
December 15, 2013, 02:28 PM
http://www.tgdaily.com/games-and-entertainment-fea...
When the first installment of The Hobbit debuted last year, Peter Jackson used a new technology, 48 frames per second, which many hailed as a great new innovation. But the technology didn’t fly with the public, who complained of headaches after watching The Hobbit in that format.
December 13, 2013, 10:45 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BEVERLY HILLS - More than 100 scores from eligible feature-length motion pictures released in 2013 are in contention for nominations in the Original Score category for the 86th Oscars. The 114 eligible scores, along with their composers are listed below, in alphabetical order by film title:
December 13, 2013, 10:43 AM
http://variety.com/2013/film/awards/gravity-oblivi...
One of the challenges in f/x has long been to match the lighting of the special effect, be it a model, a miniature, or a digital element, to the live-action “plates” for the same scene.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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