It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 5, 2013, 05:46 AM
http://www.pro-tools-expert.com/home-page/2013/11/...
I know there’s a way to keep your automation but bump the overall track level up or down, but here’s a quick way I just thought of. It was my “duh” moment because I never thought of it before. If you’ve added volume automation to a track...
November 5, 2013, 05:44 AM
https://helpx.adobe.com/premiere-pro/using/whats-n...
This document describes the new and changed features in the Premiere Pro CC October 2013 release (version 7.1).
November 4, 2013, 04:52 PM
http://www.awn.com/articles/visual-effects/digital...
Digital Domain was a producing partner on the adaptation of Orson Scott Card's sci-fi classic, which provided more creative freedom.
November 4, 2013, 11:08 AM
http://designingsound.org/2013/11/hans-zimmer-perc...
Spitfire Audio have released a YouTube Featurette for their upcoming Hans Zimmer Percussion library. Recorded at Air Studios via an unsurpassable signal chain. 96 rarefied microphones, into Neve Montserrat pre-amps, the world’s biggest Neve 88R desk (which was exhaustively re-gained at every dynamic layer for optimum signal quality), via a dual chain to HDX and Prism converters running at 192k. Over 30TB of raw data from these sessions alone.
November 4, 2013, 11:08 AM
http://www.askaudiomag.com/articles/logic-pros-xs-...
Bass amps are for bass players only? Nope! Kick open Logic Pro X and follow this excellent tutorial by Darren Burgos as he shows you how to use Bass Amp Designer in new and novel ways for synths.
November 4, 2013, 05:39 AM
https://www.aotg.com/a-short-history-of-cinema-sound-dolby/
As you can imagine, at Dolby we’re just a little bit obsessed with the way movies sound and with the technology that goes into producing awesome movie experiences.
November 4, 2013, 05:39 AM
http://www.pro-tools-expert.com/home-page/2013/11/...
As we celebrate our 5th year this month I thought it might be an appropriate time to share some history about how this blog came into being and why I did it in the first place.
November 4, 2013, 05:35 AM
http://ryansalazar.net/index.php/2013/11/ves-summi...
Next week when Lionsgate’s Ender’s Game opens in theaters, the visual effects community will be watching to see if the nontraditional model of a VFX house coming on board in a co-producer role—which lead VFX house Digital Domain did with Ender’s—is…See on www.hollywoodreporter.com
November 3, 2013, 03:46 PM
http://24p.com/wordpress/?p=103
Back in the days of tapes-based workflows, MediaLog was a handy tool to provide loggers, producers and other contributing collaborators to participate in the dailies prep process. It still has deck control, timecode support, clip creation, logging, ALE import/export and the ability to open Avid projects and bins.
November 3, 2013, 12:07 PM
http://www.askaudiomag.com/articles/extending-the-...
Akai's APC40 is an awesome bit of kit for DJs and producers. Rory Dow, master synthesist and Ableton Live user, explores how to make it even better using Max for Live. (Part 2/2)
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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