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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hands on with the Tangent Wave2 Grading Panel

June 7, 2018, 07:12 AM

https://jonnyelwyn.co.uk/film-and-video-editing/af...

If you're looking for an affordable colour grading control panel the Tangent Wave2 is a great option. Unlike other affordable panels it works with DaVinci Resolve, Premiere Pro, FCPX and more! Here's my hands-on review.

#colour grading control surface review#colour grading panel#tangent wave2 panel
Auto Color Match in Premiere Pro

April 24, 2018, 12:41 PM

https://doddlenews.com/larry-jordan-premiere-pro-c...

Color Match is new in the April, 2018, update to Adobe Premiere Pro CC. What it does is allow you to compare two shots side by side, then automatically select color and gray-scale data from a reference image and apply it to the current shot.

Learn DaVinci Resolve 15's New Features

April 12, 2018, 05:24 AM

https://jonnyelwyn.co.uk/film-and-video-editing/le...

Learn all about DaVinci Resolve's new features in this extensive round up of tutorials. Also learn how to get started in Fusion for the first time and download some free title templates.

#davinci resolve 15#davinci resolve new features#davinci resolve fusion#fusion tutorials#fusion templates
What's new in Assimilate Scratch Version 9?

April 4, 2018, 08:05 AM

https://jonnyelwyn.co.uk/film-and-video-editing/wh...

Check out all the new features in Assimilate Scratch version 9, which is available as a public beta right now. The all new UI makes it much for accessible for first time users!

#post production#assimilate scratch#colour grading#scratch v9
Using LUTS to match a film look

March 19, 2018, 02:23 PM

https://jonnyelwyn.co.uk/film-and-video-editing/us...

Ever wanted to match the look of a specific film and not been sure how to go about it? This post will help you get there, with a little support from some carefully crafted LUTs

#luts#colour grading#free download#free luts#download luts
Getting Ready for Color in Postproduction

December 16, 2017, 08:29 AM

https://www.hdvideopro.com/blog/getting-ready-for-...

In the last couple of posts, I’ve gone on and on about nesting. I thought I was finished with the topic, but my last post—avoiding trouble when you transfer your project to an audio designer—reminded me of some things you can do to make a grading session easier.

Can you Color Correct if your are Color Blind?

December 12, 2017, 10:05 AM

https://nofilmschool.com/2017/12/can-you-have-colo...

Enchroma glasses have been in the news this year for the exciting fact that they claim to offer increased color spectrum visibility to people with mild forms of color blindness. We decided to put them to the test to see if an editor we know, Ryan Charles, who himself suffers from color blindness, would be able to more effectively color grade projects after using the glasses.

DaVinci Resolve 14 Tips and Tricks

December 12, 2017, 08:06 AM

https://jonnyelwyn.co.uk/film-and-video-editing/da...

In this post I’ve brought together some helpful tips and tricks for colorists working in DaVinci Resolve 14, plus I take a look back at some previous Resolve posts from 2017!

#davinci resolve#tutorials#training#colour grading#tips and tricks
How color helps a movie tell its story |

November 25, 2017, 07:58 AM

https://ideas.ted.com/how-color-helps-a-movie-tell...

A sunny, hopeful yellow. An introspective turquoise. An arresting, violent red. When you see a color in a film, what you see is no accident — filmmakers carefully compose each frame and make color decisions that affect your experience of watching, even if you don’t realize it. Here are the ways in which filmmakers use color to deepen narrative.

5 Mistakes You Should Avoid When Color Grading

November 15, 2017, 07:58 AM

http://nofilmschool.com/2017/11/watch-5-mistakes-y...

Color grading can be tricky, so try to avoid falling into these common traps.

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