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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Will ‘Sound of Metal’ continue the Oscar trend of winning both Film Editing and Sound?

March 27, 2021, 10:03 AM

https://www.goldderby.com/article/2021/sound-of-me...

You wouldn’t necessarily think that sound would go hand-in-hand with film editing, but at the Oscars, those awards have often gone to the same film. In fact, the last seven film editing winners in a row have won one or both sound awards (this year the two sound categories were consolidated). And only seven film editing winners in the last 20 years have failed to win a sound prize. Could “Sound of Metal” continue this trend?

#editing#oscars#sound#sound of metal
Oscar Best Picture nominee “The Father”

March 26, 2021, 08:37 AM

https://www.provideocoalition.com/aotc-the-father/

Yorgos Lamprinos is an editor of Greek origin living and working in Paris. Yorgos edited the Oscar Best Picture nominee, The Father and was nominated for Best Editing for the film. He has already won The British Independent Film Award for Best Editing for The Father. It was also nominated for Best Film and Best Editing for this year’s BAFTAs.

#bafta#oscars#the father
The Father Editor Yorgos Lamprinos

March 25, 2021, 08:53 AM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.

#editing#father
Why Rob Legato Deserves the VES Honour

March 17, 2021, 09:03 AM

https://www.indiewire.com/2021/03/oscar-vfx-rob-le...

Three-time Oscar-winning visual effects supervisor Rob Legato (“The Jungle Book, “Hugo,” “Titanic”) — a visionary in translating virtual production into a live-action methodology for directors James Cameron, Martin Scorsese, and Jon Favreau — is the latest recipient of the Visual Effects Society’s Award for Creative Excellence. The award will be presented at the 19th Annual VES Awards, streaming worldwide on April 6.

#vfx#rob legato#virtual production#ves
CinePlay 1.7 for Mac - M1 / Big Sur support, UI re

March 13, 2021, 05:09 PM

http://www.digitalrebellion.com/blog/posts/cinepla...

CinePlay 1.7 is a major update to our media player for video and audio professionals. M1 and Big Sur support CinePlay runs natively on M1 Macs and is compatible with macOS 11 Big Sur. UI refresh We've improved the icons and UI elements to look nicer, especially on Retina displays. In particular, we overhauled the Kollaborate file browser to be more user friendly and up to date with the icons currently used on the site. General polish We've made small bug fixes and tweaks to impro...

Five Must-Have Plugins for FCP X in 2021

March 10, 2021, 02:00 PM

https://www.4kshooters.net/2021/03/10/five-must-ha...

Plugins can be huge time-savers for video editors. There are so many parts to video editing – especially for independent workers. We are talking about the basic edit, audio, visual effects, graphics, music, color grading, and plenty more. It adds up to be a lot and base software like Final Cut Pro may have a very robust feature set, but there is some key stuff that might be missing for you.

ACE Career Achievement Awards To Editors Lynzee Kl

March 10, 2021, 02:00 PM

https://deadline.com/2021/03/ace-eddie-awards-care...

Lynzee Klingman and Sidney Wolinsky will receive Career Achievement Awards for their outstanding contributions to film editing at the 71st annual American Cinema Editors’ Eddie Awards on April 17. This year’s show will be held virtually due to the pandemic.

American Cinema Editors to bestow Career Achieveme

March 10, 2021, 02:00 PM

https://www.shootonline.com/newsbriefs/american-ci...

American Cinema Editors (ACE) will present Career Achievement Awards to film editors Lynzee Klingman, ACE and Sidney Wolinsky, ACE for their outstanding contributions to film editing at the 71st Annual ACE Eddie Awards on April 17.

Women in Post-Production: Past, Present, and Futur

March 9, 2021, 01:51 PM

https://www.shutterstock.com/blog/women-in-post-pr...

From Dede Allen to Sally Menke, let’s explore these early pioneer women editors and how their legacies shaped the modern landscape of cinema.

Editor Alex Pirrone brings cinema vérité-style t

March 2, 2021, 01:58 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Boutique post production shop Wax has added New York-based, multifaceted commercial and film editor Alex Pirrone. Influenced by nonfiction content and a love for automobiles and comedy, Pirrone favors a cinéma vérité-style, often bringing to life narratives from the visuals on hand. 

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