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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

A-Z Sound - S is for Smart Tool

April 4, 2015, 07:59 AM

http://www.pro-tools-expert.com/home-page/2015/4/4...

Its an old joke that the best thing about digital is that there are so many different ways to do a given task but the worst thing about digital is that there are so many different ways to do a given task! This is true all the way from importing files through to the final touches to your automation.

Build your own MIDI controllers

April 2, 2015, 12:35 PM

http://www.askaudiomag.com/articles/5-easy-ways-to...

If you want to custom build your own controller, DIY style, where should you start? Liam Lacey explores 5 budget platforms that will take your MIDI controller idea from zero to hero.

Defacer a Free Audio Mangling Plug In

March 31, 2015, 04:54 AM

http://www.pro-tools-expert.com/home-page/2015/3/3...

Audio Assault seem to be on a roll, releasing yet another free plug-in that Pro Tools users can grab for free.

How to Manage Your Plug-Ins in Logic Pro X

March 30, 2015, 12:43 PM

http://www.askaudiomag.com/articles/how-to-manage-...

It might not sound like much, but the ability to manage, organize and arrange plug-ins the way you want in Logic Pro X (10.1) is a big feature many pros have been wishing for. Here's how it works.

Pro Tools Steps - PT 1 - Choosing a System

March 28, 2015, 03:37 PM

http://www.pro-tools-expert.com/home-page/2015/3/2...

Many people find getting started with Pro Tools a bit daunting and so I thought it would be useful to have a series on starting out with Pro Tools, taking you through setting up your PT system, creating your first session, some tips & tricks and finally some basic troubleshooting advice. But first lets take a look at specifying your first system.

7 Workflow Enhancements in Logic Pro X 101

March 27, 2015, 01:30 PM

http://www.askaudiomag.com/articles/7-workflow-enh...

Logic Pro X 10.1 has been out for a few weeks, but there's new features many Logicians may not be fully aware of. Joe Albano takes you through his top 7 improvements and explains how they work.

Score for ‘Insurgent’ Emphasizes Emotion in Dy

March 26, 2015, 12:14 PM

http://variety.com/2015/artisans/production/compos...

Trapanese — who, as orchestrator, helped make Daft Punk sound good on “Tron: Legacy” and M83 on “Oblivion” — was hired by director Robert Schwentke to score the “Divergent” sequel. He had already read the books by Veronica Roth. “(Roth) has created a really special world,” Trapanese says, “and I’ve been hoping to help create a sonic world for it for some time.”

Spectral Audio Editing in Audition

March 26, 2015, 09:35 AM

http://www.askaudiomag.com/articles/spectral-audio...

In the spectral view, also known as spectral frequency analysis, the audio is analyzed by the application and then it will display a view that is very colorful. The bottom represents the low bass register, and the higher frequencies are represented at the top. The brighter the color, the stronger it is in that region. Left to right is the timeline like the standard audio waveform view.

INTERVIEW WITH ZOE THRALL

March 25, 2015, 12:37 PM

http://www.pro-tools-expert.com/home-page/2015/3/2...

Whilst over a NAMM 2015 earlier this year, James Ivey took a detour over to Las Vegas to have a chat with Zoe Thrall who has be in charge of the iconic Studio At The Palms since it opened in 2005. Listen to this Podcast Extra Interview as Zoe shares some insights from her time at Palms.

Pro-Tools A-Z: Q is for Quantize

March 21, 2015, 06:05 AM

http://www.pro-tools-expert.com/home-page/2015/3/2...

I couldn’t cover the letter Q without looking at quantize. When quantizing people are usually talking about forcing musical events into strict time. Very, very useful but also very misused, how can you use quantize in Pro Tools and how can you avoid over-using it?

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