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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Evercast Livestreams Any Post-Production Workflow

October 19, 2018, 09:25 AM

https://nofilmschool.com/2018/10/evercast-livestre...

As the appetite for content grows (and film and television productions continue to send creative teams all over the world to shoot), the ability to get all creatives in one place at one time to collaborate becomes more challenging and more expensive. But it doesn't have to be, thanks to a new collaborative tool: Evercast.

Why Premiere Pro Will Never Have Magnetic Timeline

October 18, 2018, 12:14 PM

https://nofilmschool.com/2018/10/why-premiere-pro-...

I’m the last person to tell you that Premiere Pro is better than Final Cut Pro (or the other way around) as I’m on Windows and have never used Final Cut Pro. But this video is not about which NLE is the best. I just want to address the topic of the magnetic timeline.

Off The Tracks: FCPX, for all its brilliance, has

October 8, 2018, 12:15 PM

https://www.redsharknews.com/post/item/5846-off-th...

A feature documentary dedicated to an editing programme is about as niche as you can get. And this is not a training programme or (ostensibly) a promotional film, but a serious, well-made documentary which treats its subject as dramatically as if it were a major political revolution… just what’s going on here?

5 Reasons to NOT fix it in post

October 5, 2018, 06:11 AM

https://nofilmschool.com/2018/10/5-reasons-why-you...

There are so many powerful post-production tools out there that basically perform magic. They can add incredible effects and fix horrible mistakes with but a click of a button, so why do experienced filmmakers always tell up-and-comers not to "fix it in post?" Even though there are some cinematic blunders that can be corrected with the help of a beefy editing program, the vast majority of them are going to require a reshoot rather than a retouch. In this video from Aputure, Benny from the A-Team...

AJA FS-HDR for DP's and DIT's

October 3, 2018, 12:36 PM

https://www.fdtimes.com/2018/10/03/aja-fs-hdr-for-...

When it comes to cinema production, there are a number of demands that suggest the ability to correctly monitor HDR on set or location would be of great benefit for production teams. About two years ago, there was discussion at an event at the Dolby Theatre in London about Netflix productions using HDR for much of their delivery. In talking to production teams, we heard that they were struggling a bit on-set. One reason was that they couldn’t view HDR with the standard monitoring systems they ...

Tentacle Sync E: a small and simple pocket sized t

September 30, 2018, 06:32 AM

https://www.provideocoalition.com/tentacle-sync-e-...

Tentacle Sync, creators of simple timecode solutions that are both easy to use and accessible in price, have taken the best features of the original Sync, added some new features and created the Sync E.

Intel's insanely fast Optane drives expand to 1.5T

September 26, 2018, 06:03 AM

https://www.redsharknews.com/technology/item/5819-...

If you need really, really fast SSD performance, Intel’s Optane cards based on the 3D XPoint memory standard are becoming an increasingly viable alter...

What USB-C Means for 4K Display Support

September 20, 2018, 05:10 AM

https://9to5mac.com/2018/09/19/4k-display-support-...

Following our discoveries of Memoji syncing and an ‘iPad2018Fall’ string in the first developer beta of iOS 12.1, developer Steve Troughton-Smith has discovered another hint at the new iPad Pro models coming this year. Within the Xcode Simulator for iOS 12.1, Smith says, is a hint potentially suggesting support for 4K external displays for this year’s iPad Pros…

Yes, Title Safe Still Matters – Especially for w

September 19, 2018, 10:15 AM

https://eks.tv/title-safe-still-matters/

Title safe is still relevant due to phones and other new devices having differing aspect ratios. If your video will only be on TV you can use different safe margins than for online video.

#editing#video#post production#graphics#title safe
Need to create effects In FCPX as easily as a pain

September 14, 2018, 04:48 AM

https://www.redsharknews.com/post/item/5779-need-t...

CoreMelt's new PaintX plugin allows FCP X users to paint directly onto their videos and have the effects accurately tracked, making some incredibly impressive effects possible. Here's our review.

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