It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 14, 2015, 07:19 AM
http://www.pro-tools-expert.com/home-page/2015/2/1...
The first L which springs to mind is the bane of all computer recording systems - Latency. In audio systems latency is the distracting time lag between input and output in a recording system, usually encountered most obviously when recording audio or midi while monitoring the output.
February 14, 2015, 07:18 AM
http://www.askaudiomag.com/articles/an-overview-of...
iZotope's Iris 2 continues to reap the rewards of its spectral processing abilities and now also has a powerful new modulation system, enhanced effects and over 11 GB of content.
February 13, 2015, 07:53 PM
http://deadline.com/2015/02/hans-zimmer-interstell...
Since the 1980s, German-born composer Hans Zimmer has created some of the most unique and visionary scores, along the way racking up nine career Oscar nominations; he’s won only once, for 1995’s Disney classic, The Lion King.
February 11, 2015, 07:06 AM
http://www.pro-tools-expert.com/home-page/2015/2/1...
12 months ago we ran a series of articles part 1, part 2, part 3 & part 4 from community member Neil Martin focussing on getting Pro Tools and its associated extras into a state whereby it could be deployed en-mass which is especially useful in educational establishments.
February 6, 2015, 01:07 PM
http://www.askaudiomag.com/articles/review-audiofi...
Outside of your DAW, there's not as many options available for mastering music as there used to be. Matt Vanacoro delves into Triumph by Audiofile Engineering to see if it fills the gap.
February 6, 2015, 10:39 AM
http://www.askaudiomag.com/articles/dr-octo-rex-so...
There’s a Global Transpose control on the front panel of the module that will transpose any loaded loop up or down by the chosen number of semitones. Since REX loops are made up of audio slices, this is performing some real-time pitch shifting but keeping the tempo exactly the same.
February 6, 2015, 04:44 AM
http://www.tgdaily.com/happyplace/film/130776-john...
If you’re a fan of John Carpenter, you’re probably very excited by the fact that he has a new album of music out, Lost Themes. Carpenter composed the music for his movies primarily out of function, he couldn’t afford a composer back in his low budget days, but as the themes for Halloween and Assault on Precinct 13 have proven, he’s written great stuff.
February 5, 2015, 03:35 PM
http://weblog.rogueamoeba.com/2015/02/05/the-evolu...
We unveiled Audio Hijack 3 to the world last month, but it was almost six years earlier that I downloaded Audio Hijack Pro for the first time. I was doing contract work for Rogue Amoeba in September of 2009, hoping to get hired full-time (spoiler alert: I got the job!), so I wanted to familiarize myself with their full software lineup.
February 4, 2015, 06:06 AM
http://www.prnewswire.com/news-releases/kim-clarke...
LONDON, February 4, 2015 /PRNewswire/ -- Kim Clarke Joins Audio Network as CFO.
February 3, 2015, 01:38 PM
http://variety.com/2015/artisans/awards/oscar-soun...
After all, say many of the Oscar-nominated sound editors and re-recording mixers, well-articulated and defined sounds give audiences a touchstone to reality, convey emotion and even help viewers follow the action in busy scenes.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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