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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Final Cut Pro X Gets Full Redesign for 10.3

October 31, 2016, 12:43 PM

http://nofilmschool.com/2016/10/final-cut-pro-x-ge...

Alongside the release of the new MacBook Pro last week, Apple also unveiled Final Cut Pro 10.3. While there are a few key software details that are clearly intended to work seamlessly with new features on the MBP, this release is much more than that. It offers a complete redesign of the user interface, powerful new audio organization tools, the integration of wide gamut workflows, and many more features that will likely make some filmmakers reconsider an app many left behind.

FCPX Update - First Review

October 29, 2016, 10:55 AM

https://www.cinema5d.com/final-cut-pro-x-update-10...

Final Cut Pro X update 10.3 has been announced. It is the latest version of Apple’s professional video editing software. Here’s a hands-on review of its new features!

DNxHD What's in a name?

October 21, 2016, 12:21 PM

http://24p.com/wordpress/?p=331

You read that correctly. DNxHD LB. I came across this a few weeks back when working with R3D footage and Redcine X Pro and thought there was an error in the menu nomenclature for creating DNxHD 36 proxy media as seen here...

What resolution should I master my DCP in?

October 19, 2016, 01:53 PM

https://thedcpmaster.com/2k-4k-dcp-resolution/

Wondering if you should master in 2K or 4K? The DCP specification has two official resolutions: “2K” and “4K”. The majority of films shown in theatres currently are in 2K. In most cases you should create your DCP to match the resolution of the master version of your film. 2K will be your likely best bet if the file (or videotape) source image is 2048 x 1080 (or less). 4K will be a better option for any native size higher than that.

#dcp#4k#2k#kdm#encryption
How AI was used to Edit a Trailer for Thriller

October 13, 2016, 12:29 PM

http://nofilmschool.com/2016/10/ibm-watson-edits-m...

There's an old story about Fellini that, when asked why there wasn't a great film school in Italy to train the next generation of filmmakers, he responded, "Are you mad? We should be stabbing them in their cribs! They'll take all of our jobs!" Today, the Italian auteur would be unplugging computers and taking a hammer to hard drives, since for the first time at the studio level, artificial intelligence has been involved in editorial decision making.

Avid seeing demand for NEXIS storage solution

October 7, 2016, 09:12 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BURLINGTON, MA — Just six months after its introduction, Avid’s (www.avid.com) NEXIS software-defined storage platform is seeing strong demand. The solution was introduced at NAB 2016 and is powered by the MediaCentral Platform.

Actividades de la SAE en la CAPER 2016

October 6, 2016, 09:24 AM

http://saeditores.org/Novedades/Actividades-de-la-...

Con dos charlas temáticas, la SAE participará por segundo año consecutivo en la Expo que organiza la CAPER, Cámara Argentina de Proveedores y Fabricantes de Equipos de Radiodifusión, que se desarrollará entre el 26 y 28 de octubre en el Centro Costa Salguero (Av. Costanera Rafael Obligado 1221, CABA).

How the Length of a Cut Can Change the Meaning of

October 3, 2016, 07:40 AM

http://nofilmschool.com/2016/08/watch-how-length-c...

One of the most important things we've learned from great Soviet filmmakers like Kuleshov, Pudovkin, and Eisenstein is that editing has its own language. The montage theory states that a shot communicates to the audience with its rhythmic and intellectual characteristics, as well as with its relationship with other shots next to it on the timeline (aka juxtaposition). But what about shot duration? Can the length of a shot change the way a scene is understood by an audience? CineFix tries to answ...

headphone use on MacBook Pros Survey...

September 16, 2016, 09:41 AM

http://www.theverge.com/circuitbreaker/2016/9/15/1...

Apple has questions for MacBook Pro owners, like...

How Reality Show Editors Whittle Through the Foota

August 23, 2016, 09:40 AM

http://www.hollywoodreporter.com/behind-screen/emm...

In the cutting rooms of three popular reality competition shows — 'The Voice,' 'The Amazing Race' and 'Survivor' — editors wield significant power, often shaping narratives with the finalists already in mind.

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