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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Five Essential, ShortCuts for Premiere

August 22, 2016, 09:25 AM

http://www.4kshooters.net/2016/08/22/five-essentia...

It goes without saying, working with shortcuts might save hours of your life while editing. Whether you’re an experienced video editor, or you’re just starting out, the odds are you’ve already implemented a considerable amount of short key combinations in your daily workflow.

48fps Editing

August 21, 2016, 12:16 PM

http://24p.com/wordpress/?p=305

One of the new features that came in the 8.x series of Media Composer was the ability to edit at higher frame rates (up to 60.000p). Combined with the resolution/frame rate independence of the DNxHR codec, this provides solutions for content being produced for specialized venues, experience, etc.

Fae Studio film "Hero" is in Pre-Production

August 9, 2016, 10:28 PM

https://www.aotg.com/fae-studio-film-hero-is-in-pre-production/

Feature film "Hero" is in Pre-Production and is set to release in 2018,

5 mistakes editors make as a freelancer

July 27, 2016, 02:10 PM

https://screenlight.tv/blog/five-mistakes-video-ed...

etting paid. We all like getting paid, right? As much as this is a good thing about making videos, this is the biggest area many freelancers fail in. We love doing the creative work, but getting those dollars to actually exchange hands? Sometimes it seems impossible.

ALE Header Trick You Need To Know

July 9, 2016, 12:20 PM

http://24p.com/wordpress/?p=300

The ALE format has not really kept up with changes in Media Composer that have been going on with the past several releases. While ALE still has limitations to be aware of when using custom columns and such as discussed here, the ALE header is the subject of this blog, and what you need to know when importing/exporting for different needs.

Use FCPX's Proxy Feature to Edit 4K

July 9, 2016, 06:24 AM

http://9to5mac.com/2016/07/08/how-to-edit-4k-video...

I love my 2016 MacBook for a variety of reasons, but there are still some areas where its Core M processor struggles to keep up. When it comes to exporting 4K video, the MacBook shines due to Intel Quick Sync Video hardware encoding. Editing 4K video, however, is much more taxing on the MacBook, especially when employing various effects and color correction.

HD to 4K: The Evolution of Technology

July 6, 2016, 06:45 AM

http://www.tgdaily.com/web/164886-hd-to-4k-the-evo...

As is the case with many consumer technologies, the Japanese have been at the forefront of many of the developments that we consider to be ubiquitous. While the U.S. started broadcasting in high definition in 1993, the Japan Broadcasting Corporation began experimenting with a high-resolution broadcast in 1964. For many of today's consumers, HD content is old news. The future of film and television is 4K and it's here to stay.

Why does this Youtube clip look and sound so much

July 4, 2016, 10:16 PM

http://www.redsharknews.com/post/item/3606-why-doe...

Craig Marshall wonders why this particular clip of Willie Nelson singing Gershwin's 'Summertime' looks and sounds quite so good. YouTubeyoutube video qualityvideo qualityLightworksDa Vinci ResolveMonitorsSony

#davinci resolve
Panasonic 4K/UHD Blu-ray Player hitting US shelves

July 3, 2016, 08:47 PM

http://www.redsharknews.com/distribution/item/3605...

Panasonic's 4K/UHD Blu-ray player, already available in Europe, finally gets a U.S. release window and pricing info. panasonic4K Bluray4K Bluray playerUB900

ART OF THE CUT with Kelley Dixon, ACE of “Breaki

July 1, 2016, 11:43 PM

http://www.provideocoalition.com/ART+OF+THE+CUT-DI...

If you’re an editor who loves great television then you are going to be incredibly jealous of the editor that is the subject of this edition of Art of the Cut. After paying her dues as an assistant editor on movies like “Reservoir Dogs”, “Goodwill Hunting,” and “Without A Trace” to name a few, Kelley Dixon The post ART OF THE CUT with Kelley Dixon, ACE of “Breaking Bad,” “Preacher,” “Walking Dead”… appeared first on ProVideo Coalition.

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