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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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May 12, 2021, 08:36 AM

https://www.awn.com/news/fmx-concludes-2021-virtua...

Conference’s first digital event presented 388 speakers, with 2,200 participants from 45 countries.

The Falcon and the Winter Soldier VFX Making Sam

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https://filmschoolrejects.com/falcon-and-winter-so...

We chat with The Falcon and the Winter Soldier VFX Supervisor Eric Leven about the many refinements that go into a Marvel series.

Coming 2 America Jon Farhat Overall VFX Super

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https://www.artofvfx.com/coming-2-america-jon-farh...

Jon Farhat has been working in visual effects for almost 40 years! He joined Dream Quest Images and worked on The Abyss and Total Recall. He then took care of the effects on many films such as The Nutty Professor, Doctor Dolittle, Wanted and The Book of Eli.

Minari Editor Harry Yoon on Drawing Connections Be

May 8, 2021, 12:10 PM

https://blog.filmsupply.com/articles/minari-editor...

Read editor Harry Yoon’s approach to editing Minari, using details and specific cultural experiences to help make a connection between story and audience.

How Sofia Coppola Uses Color in The Virgin Suicide

May 8, 2021, 12:10 PM

https://filmschoolrejects.com/the-virgin-suicides-...

In our Color Code series, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his sixth entry, he digs into Sofia Coppola’s The Virgin Suicides.

VFX Supe Marion Spates Talks About the Visual Magi

May 7, 2021, 08:52 AM

https://www.animationmagazine.net/animated-people/...

Watching the dazzling visuals on display during the eight-episode run of the hit Marvel Studios/Disney+ series WandaVision was one of the VFX highlights of the past season. The team at Digital Domain delivered around 350 VFX shots for the show, which featured various homages to classic TV sitcoms and a spectacular battle of Super Witches, the first glimpse of Chaos Magic and a face-off between superhero Vision and his clone.

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