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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

CalDigit T4 Thunderbolt 2 Now Available For Pre-Or

November 11, 2014, 10:43 AM

http://www.storagereview.com/caldigit_t4_thunderbo...

CalDigit has announced the T4 Thunderbolt 2 RAID storage solution is now available for pre-order and will begin shipping on November 19th, 2014. The T4 is a four-bay RAID 0, 1, 5 & JBOD storage solution that is equipped with Thunderbolt 2 technology, storage capacities up to 20TB, and can reach speeds of 750MB/s with 3.5” HDDs installed while achieving speeds up to 1,370MB/s when using SSDs in RAID0.

How To Be A DIT - Part 11

November 6, 2014, 12:16 PM

http://jonnyelwyn.co.uk/film-video-editing-tools-f...

Find out what working DIT's do, the tools they use and the problems they solve. Plus learn a ton about video codecs, compression, bit depth, file management, 4K workflows and more!

#dit tools#dit training#video skills#workflow management
Open Sequence In Timeline new in 2014.1

October 31, 2014, 01:44 PM

http://wes.plate.net/2014/10/open-sequence-in-time...

I was reading Scott Simmons’ new feature roundup of the new Premiere Pro CC 2014.1 and was excited to learn about the Open Sequence In Timeline command.

Legacy Metadata – The Next Big DAM Problem?

October 29, 2014, 04:48 AM

http://digitalassetmanagementnews.org/opinion/lega...

Like a lot of people I know in the Digital Asset Management trade currently, my firm has been deluged with client work for a sustained period. Several times in recent weeks, I’ve been asked why I think that is. Some vendors advance the theory that it’s because their solutions have become more sophisticated and demand has increased as a result. A few consultants take the view that their educational efforts are bearing fruit (and not before time some of the older hands are keen to point out).

If You Want to Learn How to Tell a Story, Edit a D

October 22, 2014, 12:40 PM

http://nofilmschool.com/2014/10/if-you-want-learn-...

There's more than one way to learn how to tell a story. It's not just about sitting down with a writing utensil and a sheet of paper (or a computer and keyboard) and letting one come to life on the page. Sometimes that happens during editing. Find out how editing a documentary can greatly improve your storytelling skills.

Technology is the Friend, not enemy of Hollywood

October 21, 2014, 04:45 AM

http://variety.com/2014/film/opinion/why-technolog...

In 2004, during my freshman year of college, I was lucky enough to land a summer internship at Miramax in New York. As a film school reject, this was the holy grail, and the closest I figured I’d ever get to a movie set. While there were no Marty or Leo run-ins that summer (though I did get a “hello” from Mr. Weinstein), lessons about the entertainment industry were abundant.

Marvel’s Victoria Alonso Urges More Women in VFX

October 19, 2014, 08:13 AM

http://deadline.com/2014/10/marvel-victoria-alonso...

Victoria Alonso, Marvel Studios’ exuberant EVP of visual effects and post production, told a roomful of VFX industry leaders this morning that it needs to invite more women into the industry, and onto the stage. And for entertainment industry newcomers trying to find their way into the business, she had simple advice: “fill the gap.”

Offload from Red Giant

October 17, 2014, 04:43 AM

http://nofilmschool.com/2014/10/offload-red-giant-...

Red Giant has created one of the simplest and seemingly fool-proof tools with Offload, which can not only back up footage in multiple places at once, but also provides checksum verification to ensure that the information copied matches what was on the card. While tools like ShotPut Pro have been pretty standard for a number of years, Offload at $50 for the full version is coming in at about half the price of ShotPut (though if you're doing this work professionally they are both very inexpensive ...

Gone Girl Marks First Hollywood Film Cut Entirely

October 14, 2014, 09:12 AM

http://sportsvideo.org/main/blog/2014/10/david-fin...

David Fincher’s Gone Girl, which opened Oct. 3 to rave reviews and has secured the top spot at the box office the past two weekends, is the first major Hollywood feature film cut entirely in Adobe Premiere Pro CC. The post-production company made the decision switch from Final Cut Pro and use Premiere Pro CC because of its tight integration between Premiere Pro CC and After Effects CC, which allowed multiple editors and VFX artists to work on the same project. And, Premiere Pro CC was able to ...

Adobe Max 2014

October 13, 2014, 11:38 AM

http://prolost.com/blog/max2014

Last week, Adobe held their MAX event to announce some cool new creative tools. At the keynote, they put me up on the big screen as an example of how Lightroom's cloud syncing legitimizes mobile photography. Wanna see? It's right at the head of the section on mobile apps.

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