It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 5, 2021, 09:14 AM
https://www.artofvfx.com/flora-ulysses-nicolas-che...
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May 5, 2021, 09:14 AM
https://www.cined.com/becoming-a-freelance-coloris...
Ana Izquierdo was a Senior Colorist at DFacto-Motion, before going freelance in 2018. Read on to learn more about her career.
May 5, 2021, 09:13 AM
https://www.awn.com/vfxworld/scanline-vfx-tackles-...
Led by VFX supervisor Bryan Hirota, studio delivers 1,000 visual effects shots across 22 sequences, from Steppenwolf’s complete redo to the Flash’s epic time reversal.
May 5, 2021, 09:13 AM
https://www.slashfilm.com/douglas-trumbull-and-chr...
When it came time for a 70mm restoration of 2001: A Space Odyssey, WB had two choices: VFX guru Douglas Trumbull and Christopher Nolan. They chose Nolan.
May 4, 2021, 03:08 PM
https://www.studiobinder.com/blog/color-grading-vs...
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https://www.if.com.au/post-and-vfx-companies-fear-...
The Federal Government’s impending media reforms have come under fresh scrutiny from the post-production sector, which is calling for a reassessment of the proposed changes to the Post, Digital and Visual Effects (PDV) Offset.
May 3, 2021, 08:56 AM
https://www.thenationalnews.com/arts-culture/film/...
While last week Soul picked up the Academy Award for Best Animated Feature Film in Los Angeles, this weekend the film's prequel 22 vs Earth has allowed fans to learn a little more about how 22 became such an Earthaphobe.
May 3, 2021, 08:53 AM
https://www.indiewire.com/2021/05/2001-vfx-douglas...
Douglas Trumbull has been in the “2001: A Space Odyssey” business for over 50 years. The special effects guru was a young animation artist when he worked on the spaceflight short film “To the Moon and Beyond” for the 1964 World’s Fair, which caught the attention of Stanley Kubrick while in the early stages of planning his operatic space epic. Trumbull wound up learning the ropes of visual effects on the project and played a critical role in everything from the miniatures to HAL 9000’...
#vfx#douglas trumbull#stanley kubrick#2001: a space odesseyMay 2, 2021, 12:44 PM
https://happymag.tv/sound-of-metal-sound-design/
Google News: sound design
#sound#sound designMay 2, 2021, 12:43 PM
https://www.hollywoodreporter.com/behind-screen/so...
Google News: sound design
#soundDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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