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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FilmLight and Industry Partners Exhibit Flawless I

March 10, 2014, 05:52 PM

http://www.digitalproductionbuzz.com/2014/03/filml...

New and creative technologies provide professional color control at every stage.

Colour Grading - The Technical Stuff

January 10, 2014, 09:01 AM

http://jonnyelwyn.co.uk/film-video-editing-tools-f...

Check out this huge round of deeply technical resources and interviews to get a better understanding of the technical side of colour grading. Including what monitor to buy, how to calibrate it and how to keep your colours accurate throughout your workflow.

#colour grading#colour science#colour grading monitors#monitor calibration#colour theory
Copy grades from Resolve to SpeedGrade

January 6, 2014, 05:46 AM

http://ilovehue.net/?p=488

I’ve been working as a Resolve colorist for the past couple of years but last summer I was asked to sub for a veteran SpeedGrade colorist on a drama to be broadcasted on Radio-Canada. I did the first two shows on Resolve and finished the remaining shows on SpeedGrade. I was amazed at the speed and responsiveness of the Adobe app.

How To Be A DIT Part 8

December 6, 2013, 11:42 AM

http://jonnyelwyn.co.uk/film-video-editing-tools-f...

Check out this round up for tons more insider info on what it takes to be a working DIT. Packed full of resources on DIT gear, file and color management workflow approaches and lots of info on codecs and compression, there's something for everyone.

#workflows#codecs#compression#dit#how to be a dit#color management#enders game
Blackmagic CEO - low frame rate UHD is good enough

November 26, 2013, 11:11 AM

http://www.tvbeurope.com/main-content/full/blackma...

After a short delay caused by issues related to the sensor, Blackmagic Design says its £2500 4K Super 35mm digital camera will ship this quarter. “The entire world will buy Ultra HD at some point,” predicts CEO and founder Grant Petty. “The increasing pixel density of screens make it logical. In Europe, Ultra HD is important because broadcasters have been hobbled by electing 1080i rather than 1080p HD, so the jump in resolution to 4K will be felt.

Resolve ALE Merge for AMA Linked Files

October 27, 2013, 08:12 AM

http://24p.com/wordpress/?p=95

It is possible to log clips with Resolve and use ASC CDL values as part of Media Composer’s new LUT/ASC CDL support, when using AMA to link to original camera files. The trick is a little ALE editing of two column headings. It first starts with making sure Resolve REEL is correctly set using “source clip filename” as seen in the above screenshot. This is found in setting, conform options in the “assist using reel names from the” subsection. The clips will look like this in the Media Po...

How to edit and color grade 4K RAW

October 20, 2013, 08:23 AM

http://wolfcrow.com/blog/how-to-edit-and-color-gra...

How to edit and color grade 4K RAW on a laptop

Color Calculator

October 13, 2013, 08:11 AM

http://www.liftgammagain.com/forum/index.php?threa...

I found this today and it is awesome !!! Choose a starter color to calculate its colour wheel including triad, complementary, analogous, and split...

Using LUTs in my editing workflow

October 4, 2013, 06:37 PM

http://davidtregde.wordpress.com/2013/10/02/using-...

Because I'm in post production on my current project, I'm going to talk a little bit on how I use lookup tables (LUTs) in my workflow. According to Wikipedia, a 3D LUT remaps the color space of your image.  Traditionally, LUTs were used on high end monitors by editors and colorists to replicate what a…

Color Grading: Strong To The Finish Teaser

August 16, 2013, 04:27 AM

http://www.erichansen.tv/2013/08/15/color-grading-...

Strong to the Finish follows the dramatic triumphs and heartbreaks of 40 year old Brian Hunter and his young family as he attempts a heroic test of physical and emotional endurance running across Mongolia, a feat that has never been done before. Why? To bring awareness to the plight of thousands of abandoned and homeless children living in one of the harshest environments on the planet. This Kickstarter campaign will help fund the production and distribution of Strong to the Finish.

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