It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 5, 2021, 01:56 PM
https://www.premiumbeat.com/blog/5-free-audio-edit...
So, if you’re more on the beginner side of things, there’s really no need to pull your wallet out just yet. No matter the type of content you’re going to be editing—whether it’s podcasts or just general narration/VO—you want something that’s going to allow you to make simple cuts, add transitions, and control the decibels. If you’re looking to do anything else, like adding effects, you’ll need to try out one of the paid programs.
January 5, 2021, 01:56 PM
https://www.cined.com/media-composer-2020-12-nativ...
Avid Media Composer 2020.12 is here and this time the update includes the possibility to import H.265/HEVC files and use them on the timeline without transcoding. It also offers updates to Avid Titler+, multiple improvements to the Audio Mixer, and several more aspects.
January 3, 2021, 09:40 PM
https://www.provideocoalition.com/dear-adobe-black...
Here is my open letter to companies like Adobe, Blackmagic Design and all the other non-linear editing and post-production software makers out there...
December 30, 2020, 03:08 PM
https://www.thewrap.com/palm-springs-editor-altern...
"Palm Springs" editor Matt Friedman tells TheWrap there was a whole other beginning of the film that they ultimately decided not to use.
December 28, 2020, 06:33 PM
https://www.provideocoalition.com/aotc-ma-rainey/
Today on Art of the Cut we’ll be hearing from Andrew Mondshein, ACE, who edited the recently released Netflix production, Ma Rainey’s Black Bottom – a film based on August Wilson’s Pulitzer Prize-winning play. Andrew has had an illustrious career, editing since 1984 on films like Desperately Seeking Susan, What’s Eating Gilbert Grape, The Sixth [...]Read More...
December 21, 2020, 01:54 PM
https://sabzian.be/text/living-matter
I never made a decision to become a film editor – or, in any case, I didn’t decide upon it at a young age and follow a single career path. It’s important to say this because too often young people are asked to have a well-defined and realistic life plan, prove their efficiency, and know how to sell themselves.
December 16, 2020, 01:50 PM
https://postperspective.com/cabin-edit-grows-with-...
LA-based editorial house Cabin Editing Company has added three new editors to its roster: Robert Lopuski, Mischa Meyer and Jojo King. The additions are in response to Cabin’s recent growth as remote capabilities are allowing the company to service new clients across the US and the globe. Lopuski, who works in Adobe Premiere, Continue reading → December 15, 2020 The post Cabin Edit Grows With Three New Editors appeared first on postPerspective.
December 8, 2020, 01:40 PM
https://thefilmstage.com/wong-kar-wai-discusses-th...
George Lucas, Francis Ford Coppola, Steven Soderbergh, Ridley Scott, and the list goes on when it comes to directors who have revisited their past work and made new edits while undergoing the restoration process. Hong Kong master Wong Kar-wai now joins the club as the long-awaited 4K restorations of his most beloved films have now arrived virtually ahead of a likely Criterion release next year.
December 2, 2020, 01:54 PM
https://www.thewrap.com/greyhound-editors-big-less...
The high-seas World War II drama “Greyhound” clocks in with a svelte running time of 91 minutes, including end credits. But an extremely tightly wound and unrelenting 91 minutes it is. Starring and written by Tom Hanks, the plot is densely concentrated on about five days in February 1942, as Hanks’ Commander Krause is leading a convoy of destroyers through the so-called Black Pit.
November 17, 2020, 02:13 PM
https://www.themill.com/stories/aicp-panel-post-in...
The Mill Co-Head of Beauty, Anne Trotman, will still on virtual Post Council Meetup: “Post in the Time of Covid,” hosted by the Association of Commercial Producers (AICP).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.