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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Community Tip - Using Memory Location 999

February 12, 2014, 05:49 AM

http://www.pro-tools-expert.com/home-page/2014/2/1...

Here’s a small tip I’d like to share with the community. I’m a sound editor in post-production, and all day long I need to temporarily mark a certain location in my timeline and jump back to it very quickly, to spot a sound for example. To do so I use Memory Location 999 which is very quick to set and recall. 3 adjacent keys on the numpad do the trick and make it very easy : zero, dot and enter.

On the Sound mixing Oscar nominees

February 11, 2014, 11:22 AM

http://variety.com/2014/film/awards/sound-mixing-w...

Production sound mixers on the sets of this year’s action films found themselves everywhere from rough seas to the highest elevations in New Mexico with one goal at hand — get the kind of sound that makes it all believable and the kind of dialogue that’s easy to understand.

Sound Editing: Never Thrown for a Loop

February 11, 2014, 11:22 AM

http://variety.com/2014/film/awards/the-hobbit-the...

When it comes to sound effects and dubbing, stories about dragons and desolate men at sea have the same problem: How to place audiences right there with the character.

FREE Pro Tools Stereo To Mono Plug-in Round-Up

February 10, 2014, 05:37 AM

http://www.pro-tools-expert.com/home-page/2014/2/1...

In a recent video we showed how to create a mono button on the Pro Tools master buss (for lack of one as a standard feature.) We got some other suggestions on how to achieve this, so here are 4 FREE ways to check a stereo mix in mono. Check all our FREE Pro Tools plug-ins here...

5 Basic Features Pro Tools Continues To Lack

February 9, 2014, 08:39 AM

http://www.pro-tools-expert.com/home-page/2014/2/9...

Pro Tools is the industry standard DAW, like it or not, but with that said there are some basic features it continues to lack that are long overdue.

SFX Independence – Welcome to 2014

February 6, 2014, 05:49 AM

http://designingsound.org/2014/02/sfx-independence...

The year is still fresh, but 2014′s already brought us a number of great new SFX libraries. Go back to analog times and the earliest days of digital with new collections from New Sound Labs and Dynamic Interference. Or just blow the whole thing up with Blastwave FX’s latest offering.

Avid Still Has Problems With Video In Pro Tools 1

February 5, 2014, 05:45 AM

http://www.pro-tools-expert.com/home-page/2014/2/5...

More recently I have only being doing the occasional project with video and so I haven’t been personally aware how much trouble my audio post colleagues have been having with video playback and Pro Tools 11. However last week it came and but me at an awkward moment.

Realtime Midi Editing In Logic Pro X

February 3, 2014, 11:12 AM

http://www.askaudiomag.com/articles/real-time-midi...

When it comes to MIDI recording and editing, Logic Pro has been a producer's favorite for many years. In this tutorial, Joe Albano explores the finer points of editing MIDI in real-time in Logic.

8 More Essential Mixing Tips

January 31, 2014, 11:00 AM

http://www.askaudiomag.com/articles/8-more-essenti...

In the second part of this mini series, audio and production pro, Hollin Jones, shares the second part of his tried and tested tips every producer needs to know when mixing.

6 Lesser-Known Plugins on UAD-2

January 29, 2014, 11:16 AM

http://www.askaudiomag.com/articles/6-lesser-known...

There's a continuing number of high-quality plug-ins available for the UAD-2 platform. So much so that it can be difficult to discover the plug-in best suited for your needs. Jay Asher reveals 6 gems.

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